スクリーム4: ネクスト・ジェネレーション 2011
マスク姿の殺人鬼による凶行から10年、事件を生き延びたシドニー(ネーヴ・キャンベル)は作家となり成功を収めていた。本の宣伝のため故郷へ戻った彼女は、保安官のデューイ(デヴィッド・アークエット)、彼と結婚した元キャスターのゲイル(コートニー・コックス)と再会。しかし、彼女の帰郷を機に2人の女子高生が惨殺され、シドニーの周囲の人々が次々と狙われていく……。
マスク姿の殺人鬼による凶行から10年、事件を生き延びたシドニー(ネーヴ・キャンベル)は作家となり成功を収めていた。本の宣伝のため故郷へ戻った彼女は、保安官のデューイ(デヴィッド・アークエット)、彼と結婚した元キャスターのゲイル(コートニー・コックス)と再会。しかし、彼女の帰郷を機に2人の女子高生が惨殺され、シドニーの周囲の人々が次々と狙われていく……。
バレエカンパニーの研究生で27歳のフランシス(グレタ・ガーウィグ)は、大学在籍時の親友ソフィー(ミッキー・サムナー)とニューヨークのブルックリンで共同生活をしていた。ある日、彼女は恋人に一緒に暮らそうと誘われるが断り、その後別れることに。ところがソフィーがアパートの契約更新を行わず、引っ越しすると言ったことで……。
Rebellious Mickey and good-natured Gus navigate the thrills and agonies of modern relationships.
In Toronto, best friends Jen and Mo decide to become roommates when Mo's parents move back to the Philippines and Jen takes the opportunity to live independent from her Chinese immigrant parents.
An adventure reporter must adapt to the times when he becomes the boss to a group of millennials in the digital department of the magazine.
An anarchic, laugh-out-loud music comedy following a Muslim female punk band called Lady Parts, tracking the highs and lows of the band members as seen through the eyes of Amina Hussein — a geeky doctorate student who is recruited to be their unlikely lead guitarist.
Describes everyday life in a Lyon LGBT centre, examining the initial political, emotional and sexual life of a man who recently came out as gay.
In a series of savage, often offbeat, comedic sketches, Like Me! illustrates the myriad facets—emotions, friendships and sex lives—of the Millennial generation. A mixed bag of absurd send-ups, laser-sharp observations and raw dialogue, the show explores a world where relationships are disposable, sentiment is recyclable, and pleasure is marketable.
Remi, a dry and self-deprecating girl, is reeling from a break-up the best way she knows how — which is pretty much not at all.
Internet-addicted millennials fumble through the modern maze of love, sex, and connection as their online addictions spiral out of control and into the void of an alien disguised as a human female.
Lola is an expert at managing the mess—just not her own. She's a reluctant mother, a flighty romantic partner, and perpetually annoyed by her insufferable coworkers. Her carefully controlled chaos is upended by the arrival of Kayla, a beacon of millennial optimism, who represents everything Lola is not. When Kayla moves in next door and then into her office, Lola's defenses are breached. Her unwavering kindness and success holds up a mirror, forcing Lola to ask a terrifying question: at what point do we stop blaming the world for our unhappiness and start untangling the mess we've made of ourselves?
Thanks to the smartphone, we are witnessing one of the biggest revolutions ever in the world of romantic relationships.
Follow 20-somethings over the course of a single pay-period to see how they spend, struggle and thrive.
Sunday Evenings follows Hasaan and Aubree Richardson, co-hosts of a marriage podcast, as their once "picture-perfect relationship" crumbles on and off the mic. Their unraveling becomes a public spectacle, surrounded by "friends, rivals, and secrets too big to contain".
A compilation of stand-up from the past year, recorded in New York. It’s about love, death, dogs, and health insurance — so basically it’s comedy.