Cohibeo

Cohibeo 2025

1

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

2025

Social Butterfly

Social Butterfly 2023

1

A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.

2023

Diotima

Diotima 2024

10.00

"Dancing is sculpting in time." Shot around Indy Simin's "Echt in Vorm."

2024

Mother Küsters Goes to Heaven

Mother Küsters Goes to Heaven 1975

7.60

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

1975

Beauty Water

Beauty Water 2020

5.70

Beauty Water looks like a common skin cosmetic. But unlike other cosmetics, people can sculpt their skin with it like molding clay and change their appearance. An ordinary girl, Yaeji, comes across the 'Beauty Water' by chance, and her endless desire to be the most beautiful woman brings her unimaginable disaster.

2020

Mirror

Mirror 2024

10.00

An aspiring model with body dysmorphia must confront her insecurities as they begin to manifest as the twisted form of her own reflection.

2024

Swinging Light

Swinging Light 2025

5.00

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

2025

A Febre

A Febre 2024

1

Waking up in the middle of the night, a woman walks through a dark house looking for a way out.

2024

Nadodimannan

Nadodimannan 2013

1.90

In Nadodimannan, Padmanabhan plays a village youth who does not have a particular inclination towards any political party and joins any protest being held. He earns a living by participating in demonstrations for various political parties. He then reaches the city where he is strung to the upper levels of society and gets elected as the Mayor. His conflicts and attempts to cleanse the city form the rest of the story

2013

Caterpillar

Caterpillar 1988

5.00

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

1988

Running Fields III

Running Fields III 2024

1

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

2024

Running Fields IV

Running Fields IV 2024

1

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

2024

Running Fields II

Running Fields II 2024

1

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

2024

Synchronize

Synchronize 2011

1

Synchronize is a tribute to the powerful effect movies can have on our imagination. This short film takes the viewer through the dream of a video store clerk whose vision is formed by the movies he sees and hears.

2011

A Small Passage of Time

A Small Passage of Time 2025

1

An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.

2025

Remastered Brutality

Remastered Brutality 2024

1

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

2024