Keyword Femininity

A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.

Dorothy (Fiona Samuel), a lone swimmer, luxuriates in tranquil bliss at a deserted pool — only to have her solitude rudely interrupted by a squad of swimmers. A wordless, strikingly choreographed conflict ensues as Dorothy attempts to assert herself against the dehumanised aggression of the swimmers.

Maria is a shellfisherwoman and midwife in a small village in the Illa de Arousa in 1970s Galicia. After an unexpected event, she is forced to flee to Portugal.

Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.

In the American suburbs, two women mysteriously and sensuously entwine in this slow-burning, saucy, abstracted fable on the longing and laboring female body.

A young queer girl is entered into an eerie beauty pageant, of unknown stakes, that ultimately turns against her.

DIVA! is the voice of the unrestrained feminine. Our love letter to self-expression and autonomy.

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

Daisy is the love of Ken's life - she is also large... and very pretty... and on the dole. But Ken is a dreamer, all his dreams to make a fast buck ending up where they started - as dreams. With the rent unpaid, the bailiffs at the door and Ken's dreams in tatters, Daisy sets out to bring home the bacon and gets a job in the local factory. There she meets Marlene and half a dozen other large women who are all united in a secret passion - Sumo wrestling! Ken doesn't know what's hit him.

A visually stunning and thought-provoking biopic documenting the life and career of renowned photographer Linda Troeller. Her work explores the spiritual properties of water and the intricate aspects of female sexuality. The film presents a mesmerizing narrative that gracefully blends elements of personal discovery, artistry, and feminism.

By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.

Briana has just turned 12 and notices that her friends are starting to like boys, which triggers insecurities about her own personal and bodily development. She is confronted with various situations that make her feel seen by others, after a frank conversation about her insecurities with her older sister, Briana realizes that growing up doesn't mean not being herself.

Two young writers in the task of writing a screenplay about a bullfighter, question his relationship with the bulls. This leads them to discuss masculinity and what a man is.

Bernice, a shy young woman, leaves her safe home to go visit her flapper cousin. When her cousin tries to teach Bernice how to be much more modern, Bernice gives her much more than she bargained for.

Grace has baked her dearest friend a birthday cake. However, when Grace's gesture is not appreciated, her generosity takes an obsessive turn.

Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

A depiction of the lives of four young girls, Mona, Amira, Layali and Salma, who have developed intimate friendships over the years. When they finish their studies, they part ways as each pursues a different path, and each encounters obstacles along the way.

This documentary follows the journeys of 11 African women who struggle with polycystic ovarian syndrome. PCOS, a hormonal disorder that can cause irregular periods alongside unwanted physical symptoms, affects 1 in 10 women of childbearing age worldwide. This film highlights the struggles caused by the syndrome through interviews with gynecologists, pastors, public figures, and native African doctors.

The Hidden Room is an American drama-horror anthology television series. Geared mainly towards women, it aired on the Lifetime cable network for 33 episodes from 1991 to 1993. Each episode usually centered around a woman in hardship, but with a dark Twilight Zone-ish twist. Most episodes starred a well-known actress in the lead role.

An anthology series following the misadventures of Queer 20-somethings navigating adulthood all connected via the hot new app Queer Memoirs, while getting unsolicited advice from @GayJesus.