A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.
Kennedy has one day to get her shit together or get kicked out of school for good. Instead of buckling down, she rallies a ragtag crew for a midnight pool-hopping adventure through the lavish estates of her college town. But under the surface, Kennedy is searching for answers to the questions tearing her up inside in the wake of her father's death. As the secrets spill, this wild escape becomes a cathartic journey of self-discovery.
After the death of their father, 18-year-old Helene Raupe (“coccoon”) and her younger sister Asta come under the guardianship of the youth welfare office in East Berlin. Helene fails miserably as a fishmonger, fashion assistant and bus conductor, all jobs ordained for her by the authorities. The young woman really only “emerges” in her fantasies, where she can escape from her dull, normal life.
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
A disillusioned young writer living in New York City turns to drugs and drinking to block out the memories of his dead mother and estranged wife.
A penetrating study of a marriage on the rocks, set against the backdrop of a small Mediterranean fishing village. Both a stylized depiction of the complicated relationship between a married couple and a documentary-like look at the daily struggles of the inhabitants of Sète in the South of France.
The hero-worship that Simone has for a pop singer is built to a crescendo until she passes out when she finally sees him up-close in a crowd of fans. She is later shocked when he lets her know that he does not love her.
With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.
Four Parisian women navigate the world of romance and daily life looking to fulfill their dreams.
Originally formed amidst the chaos of the 1970 Kent State anti-Vietnam War protest killings, the not quite new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution."
"Night Shift" follows 18-year-old Cheryl and best friend Darcy as they waste away the Summer of ’85 waiting tables at the only diner in their middle of nowhere Oregon town. Suffocated by small-town conservatism and her sexist high school reputation, Cheryl longs for the day that she can finally ditch Myrtlewood and her vengeful ex, Scottie, for good. But after falling victim to a mysterious late-night animal attack, Cheryl undergoes a strange transformation that pushes her friendship with Darcy to the brink and pushes her to bite back against her tormentors once & for all.
A fascinating documentary focusing on backstage realities of art and business during the British synthesizer band's 1988 American tour.
Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.
A marriage proposal prompts Carolina to recall three previous relationships as she wanders through Manhattan.
After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.
London, 1983. The iconic synth-pop band Eurythmics performs at the legendary gay club Heaven.
This video release by Depeche Mode features almost an entire concert from their 1993-1994 Devotional Tour, filmed in Barcelona, Liévin and Frankfurt.
Looks like an alien, sings like a diva - Klaus Nomi was one of the 1980s' most profoundly bizarre characters to emerge through rock music: a counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. The Nomi Song is a film about fame, death, friendship, betrayal, opera, and the greatest New Wave rock star that never was!
Jay’s Longhorn was the epicenter of the Minneapolis punk rock and indie rock scene in the late 1970s and sparked the explosion of alternative rock music that followed in the 1980s and 1990s.
Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.
I.R.S. Records Presents The Cutting Edge is a music program that aired on MTV from March 1983 to September 1987, on the last Sunday of every month. The first year of the show featured a variety of hosts including Jools Holland, Jeffrey Vallance, and Wazmo Nariz before settling on Peter Zaremba, the lead singer of The Fleshtones. Interviews with musicians and performances were videotaped in clubs, recording studios and private homes. In 1986, the name of the show changed to The Cutting Edge Happy Hour and was videotaped at a single location, the Hollywood Holiday Inn.
