Eva, Again 2025
Trapped in an endless time loop, a woman relives the same day over and over again, with a mysterious corpse appearing and disappearing in her apartment.
Trapped in an endless time loop, a woman relives the same day over and over again, with a mysterious corpse appearing and disappearing in her apartment.
Young ambitious man gets trapped in loop of his own greed
American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.
Impressions about fighting the passing of time, living in a constant hurry and the uphill battle of finding the natural tempo to life itself.
A young man is viciously attacked in his own home, but soon learns an awful truth about his attacker.
A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based on a loop of an anonymous homeless man singing the song. The man’s voice is progressively intensified by an instrumental accompaniment, which increases in density and richness, before the whole thing gradually fades out. Dwoskin’s film was produced to be shown during the premiere of Jesus' Blood Never Failed Me Yet at the Queen Elizabeth Hall, London in December 1972. For Dwoskin, it represents “… the singing voice of the last days of a London drunk (anonymous) as the orchestra raises him to heaven. The faint ghost image of a figure swims gradually to you through the grains of film low light…”
A white-collar worker goes to investigate a strange noise in the building and keeps finding himself where he started.
On the weekend of May 24th, 2025, we welcomed 132 runners from across the globe to the hallowed grounds of Bare Ranch for the inaugural Go One More Ultra. Situated on a 4.2 mile loop that must be completed every hour on the hour until only one runner remains. Creating a story and race that gripped the world.
A short film created by medical students about a medical student suffering from major depression living through almost same days in a never-ending loop
American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.
Watch out Earth.
Tonight, Paul pops the question to Amanda. Everything is perfect; then suddenly - chaos. Now the couple find themselves stuck between two worlds.
A mysterious box appeared at his door, left by a frantic stranger. At first, it seems harmless—until reality twists, nightmares take hold.
A beast at sea yearns for more.
A teenage boy relives his traumatic past over and over again and must overcome his past to break free.
How do you escape a loop?
Isaías never heard about quantum mechanics or parallel universes. One night his reality perception will be irredeemably changed.
A young man hears a piano melody for days and begins to experience an old man's loop
A lone scrapyard worker wraps up for the night, but he’s lost his key. Hearing footsteps that shouldn’t be there, he turns to see a bloodied body fall to the floor – and a killer right behind. Thrust into a chase for his life, The Scrapman must find a way out of the surreal compound – if there is one.