When a gal named Kasumi decides to become a traditional Japanese 'Rakugo' storyteller due to her uncle's invalidity, she is soon on her way to a career with college-level and amateur success. She becomes a student to one of the master's of the genre and is even asked to perform by a TV producer. The only snag is, the particular story has a curse dripping from its words.
Master Shinkome asks Shinden to find a former disciple, Shintoto, from his rakugoka (comic storytelling) family. Shinden visits ex-disciples in his search for Shintoto.
The movie revolves around Mitsuba, who studies traditional art of rakugo. Rakugo is a form of comical story telling, sometimes referred to as sit-down comedy. Even though Mitsuba is mediocre at best, he ends up teaching three students.
One of the hottest selling tickets in town is to see the hugely popular rakugoka, or comic storyteller, Danshun. Danshun himself was inspired as a little boy to become a rakugoka after seeing the legendary Danshi.
Tamon is an awkward 50-year-old rakugo comedian with no popularity, respect, or ambition. He struggles by, taking care of his father, who can no longer perform rakugo due to his steadily worsening dementia, and who does nothing but badmouths Tamon and calls him a disappointment. Kiko, a young female manzai comedian, ends up writing a skit based on one of Tamon's original stories she finds a recording of from her mother's cupboard. Kiko approaches Tamon initially for permission, then for advice. Tamon also reunites with his former girlfriend, Kiko's mother, and eventually ends up finding his passion in life and his art again.
Life seems to be good for Shintoto, an up-and-coming rakugo artist who has just had his first sexual experience at a local brothel. Lucky for him, he gets to date the beautiful sex worker he meets that day, and a younger high school rakugo aficionado is also vying for his attention. But for clumsy, heart-on-his-sleeve Shintoto, life doesn’t stay rosy for long.
A celebration of the ancient art of Japanese rakugo, roughly translated as “comic storytelling”. The film is interspersed with numerous funerals and wakes, songs, dances, and often disgustingly crude jokes.
In the late 19th century, rakugo student Taihei gives up hope of making the grade, and his despair leads him to take up residence at a rowhouse in Tokyo's Fukagawa district. There he meets an emotionally distant boy named Sadakichi, and as fate would have it, he ends up teaching him rakugo.
Haruki Masato is a shy youth who gets swept away when he happens upon a rakugo performance. He knocks on the door of rakugo master Imadoka Shoroku in Tokyo’s old downtown and somehow gets taken on as a disciple, and embarks on a path to become a rakugo comedian under the name of Imadoka Koharu.
When a certain man is released from prison, he knows exactly where he's heading first. After falling in love with a traditional comic storyteller's rendition of the story called "Shinigami," he is determined to become his apprentice. The performer, Yakumo, has never taken an apprentice before, but to everyone's surprise, he accepts the eager ex-prisoner, nicknaming him "Yotaro." As Yotaro happily begins his new life, he meets others in Yakumo's life, including Yakumo's ward Konatsu. Konatsu was the daughter of a famous storyteller, and Yakumo took her in after her father's tragic death. Konatsu loved her father's storytelling, and would love to become a performer in her own right—but that path is not available for women.
Shinjuku Ward, east side… The center of the street with the most chaos, there's Kabuki-chō, full of neon lights. When the light is stronger, the shadow is deeper. The story begins when certain bizarre murder happens one night! Suspense? Or Comedy? Drama that cannot be identified begins!
Mameda is a tanuki who was born in the wrong era - all she wants is to trick humans, but that age of tanuki shenanigans is over. But one woman, a rakugo master named Bunko, shows Mameda it's still possible to cast magic on humans...only with words, not illusions. Mameda is determined to become Bunko's apprentice, but can she convince the stoic master to take her on...?
A young yakuza thug apprentices with an indebted comic "rakugo" performer, whose not-so-fashionable son runs a clothes shop in the Harajuku backstreets.
Joshiraku, abbreviation of joshi rakugo, is a satirical comedy that follows the everyday life of a group of rakugoka girls. A group of girls discuss random things and usually reach an unusual or humorous conclusion that's far from the initial discussion topic.
Tsukishima Yui and 5 other girls were summoned into the Edo period by a mysterious stones and each one of them had a power to protect people from evil and yui's power were ''words'' her hope-giving kind words.
Akane Osaki, captivated since childhood by the magical performances of her father, Shinta Arakawa, witnesses a shocking incident during his decisive performance for promotion to shin'uchi (master rank). Six years later, now a high school student, she sets her sights on becoming a shin'uchi herself—pushing forward in the highly competitive world of rakugo.
Set during the early Showa period, Yakumo enters the world of rakugo. He forms a friendship with talented storyteller Yurakutei. Yakumo admires Yurakutei’s talent and struggles to achieve his level of performance. With the help of geisha Miyokichi, Yakumo grows up as a rakugo storyteller. Yurakutei and Miyokichi get married, but they die in a mysterious accident. Yakumo takes Konatsu, who is the child of Yurakutei and Miyokichi, and raises her. Konatsu grows up blaming Yakumo as her parents’ enemy. Konatsu and Yakumo’s disciple Yotaro chases after the truth of her parents’ death, which Yakumo hides.
In early 1965, a child violinist who was expected to be a prodigy, came up to Tokyo from Nagasaki and lived in lodgings. In the 1970s, the violinist (Suda Masaki) faced a setback during the uproar over the US-Japan security treaty. Even so, he did not cut off music. By the time he realised it, he had started singing as Grape. This is a story centred around his high school and university days surrounded by different people including friends, teachers as well as older men at his part-time job.
The 4 rakugokas frequent a café and there they observe the customers and clerk, and develop BL stories. Those stories will be acted as well as the rakugokas imagine / craft the story.
