Keyword Muscles

In this erotic spy tale private eye Cody Abilene teams up with the Contessa Luciana and policewoman Beverly McAfee to infiltrate a mansion and discover who is sending computer secrets to the Russians.

Tom settles in for a day at the beach with his sweety, accidentally ruining Jerry's day. Meanwhile, Tom's girl is paying more attention to the bodybuilders than to Tom.

The world of female bodybuilding provides the backdrop for this tale of an aspiring young actress who initially becomes interested in the sport as a means of self-defense following a physical attack by two men, but then finds that while concentrating on building up her body her relationship with her parents, with whom she is living, and her new-found boyfriend, a young cop, is breaking down. Several noted bodybuilders and iron-pumpers, male and female, put in appearances to give this production an added authenticity.

In Robota, Verena Blok highlights the machinic power of the muscular, hyper-masculine body in motion, and draws attention to its former idealization and eroticization in Soviet propaganda. The artist reveals how, in Poland, a climate of precarity and economic hardship has allowed xenophobic rhetoric to fill the void created by the decline of socialist ideology. Recording herself in conversation with the men, Blok shows how they simultaneously propagate and suffer from prejudice, and gravitate toward the same nativist policies that limit their own freedoms.

David is a young bodybuilder who obsessively trains to become his artist mother's muse. As he dedicates himself to further developing his physique, he goes through an identity crisis that will mark his destiny.

Part two of two teaching films about human anatomy which is devoted to the action of the skeletal muscles in producing movement of the bones at the joints of the human skeleton. It uses live action and animated medical illustrations as well as an actual skeleton with commentary. A man, naked to the waist, also demonstrates the relevant physical processes such as respiration.

Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.

During her morning routine at home, former track athlete Venus is triggered when she sees a post on social media of one of her role models, and her body being criticized. This sends her into a spiral of comparing herself, and ultimately results in Venus examining her own muscular physique.

Follow the intergenerational feud between the Joestar Family and various forces of evil, the most prominent of which is Dio Brando and his followers.

Johnny Bravo tells the story of a biceps-bulging, karate-chopping free spirit who believes he is a gift from God to the women of the earth. Unfortunately for Johnny, everyone else sees him as a narcissistic Mama's boy with big muscles and even bigger hair. In short, he is the quintessential guy who 'just doesn't get it.' No matter what he does, or where he finds himself, he always winds up being his own worst enemy.