When school captain Roddy Berwick takes the blame for his friend’s scandal, he is expelled and disowned by his family. Cast out of his privileged world, Roddy drifts through a series of humiliations—from waiter to penniless actor to gigolo—descending ever further into ruin and self-disgust.
A condemned murderer, in the process of being executed, relives the events that led to his being sentenced to die in the electric chair. Told in flashback, we witness a sleazy dancehall girl (Vivienne Osborne) dupe a high rise riveter (Edward G. Robinson) into marriage so she can live off of him. But when he loses his job and his marbles, she ends up supporting him with money from her side man--and misses no opportunity to rub it in his face that she's now supporting him in his emasculated state. As the animosity grows and things get more and more unbearable, he is eventually driven to desperate measures.
A girl who works in a dance hall falls in love with a sailor, but he has the wrong idea of what it is she does and doesn't want anything to do with her.
30 years after Bob Marley's death Jamaica continues to be on top of the world-wide music scene. Reggae has evolved into a new genre, Dancehall.
An independent crew organizes sound system-style events for their community in the far north of São Paulo, using reggae music as a central form of cultural expression and resistance. Through pulsating bass, street parties, and collective gatherings, they transform public space into a vibrant platform for the identity, memory, and voice of the urban periphery.
