Free Eden employee Apple secretly runs a witchy femme cult in the basement of the mall store after hours – with fellow fruits Cherry and Fig. But, when new hire Pumpkin challenges their performative sisterhood, the women are forced to face their own poisons or succumb to a bloody fate.
Berlin, 1930, during the rise of Nazism. Hermann Hermann, a Russian emigrant and chocolate manufacturer, married to the capricious Lydia, loses his temper more and more every day when dealing with his workers and other businessmen; until he meets Felix, a vagrant, who seems to be physically identical to him; a disconcerting fact that leads Hermann Hermann to plot a particular way out of a fake world he actually hates.
On the threshold of her old age, Dolores faces a wall full of memories.
On the 22nd of May 2021, around 100 Animal Rebels shut-down all four McDonald's distribution centers across the UK. Shutting down their factories for a total of 96 hours and disrupting over 1300 of McDonald's restaurants across the country.
In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.
Mendieta, Ana: Burial Pyramide, Yagul, Mexico.
A film by Osnat Shalev from the Department of Visual Communications, Bezalel Academy of Art and Design
This Is Not Me is an intimate, haunting exploration of identity, longing, and the truths we try to hide. A raw, dreamlike film built from five striking monologues. Each character reveals the parts of themselves they’d rather keep hidden, blurring the line between confession and performance.
Six acts. Six crossings. Two souls venture through a surreal world where meaning shifts and symbols whisper. Stepping through gateways to nowhere, they perform for an audience that never existed in the first place.
OHO is considered one of the most interesting, complex and important examples of post-war avant-garde art in Central and Eastern Europe. After achieving major success as one of the first from Eastern Europe to exhibit at New York's MoMA, the group disbanded in 1971. OHO was not just an art collective but a unique cultural phenomenon that explored the visible and the immaterial through art, philosophy, sociology, science and coexistence with the earth and nature. Already in the 1960s, the group was raising relevant questions about anthropocentrism, ecology and the economics of the art. This documentary about OHO by Damjan Kozole is rich in never-before-seen archival material and, for the first time, comprehensively presents this inspiring phenomenon of intertwining art and life. - Slovenian Film Database
Demoni through a performative act reflects on the musical genre shoegaze, from the deformation of the image and the distortion of the audio to generate its own chaos that leads to a comment on cultural hegemony in Chile.
withal our bodies we are is a work combining text and the moving image of body movements. In the text, the speaker feels awkward and nervous at a club and meets ’Jiwon‘, visiting different places and sharing communal movements and affect. Based on the senses emerging from the text - nervousness, self-consciousness, relaxedness, awkwardness, and etc. - Sunghyun who performed for this piece choreographed movements with me. In this work, Sunghyun presents texts that are printed in reverse on the mirror and performs movements that are sometimes related, not related, or maybe extended from the text. By putting text and movements together, we think about how our bodies move and what it is about to move together with others.
Beneath the blinding lights of an amphitheater that exist just slightly out of time and space. Moira, a girl clad in white danced like a puppet on a string to the tunes of looming horrors but also to the romanticism and tragedy that comes with humanity’s strong attachments to their kind and in some cases, to their own fate.
