Keyword Congo - 2

Short ethnographic documentary showing a leopard dance based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

Lao Yang is head of logistics of the group. He is responsible for the equipment, building materials and food (mainly chickens) to arrive in the isolated Chinese prefab camp. The Congolese government was supposed to deliver these things but so far the team hasn't received anything. With Eddy (a Congolese man who speaks Mandarin fluently) as an intermediate, Lao Yang is forced to leave the camp and deal with local Congolese entrepreneurs, because without the construction materials the road works will cease. What follows is an endless, harsh, but absurdly funny roller coaster of negotiations and misunderstandings, as Lao Yang learns about the Congolese way of making deals.

In Africa early in World War II, a British rubber plantation executive reminisces about his arrival in the Congo in 1910. He tells the story of a love-hate triangle involving Harry Witzel, an in-country station superintendent who'd seen it all, Langford, a new manager sent from England for a four-year stint, and Tondelayo, a siren of great beauty who desires silk and baubles. Witzel is gruff and seasoned, certain that Langford won't be able to cut it. Langford responds with determination and anger, attracted to Tondelayo because of her beauty, her wiles, and to get at Witzel. Manipulation, jealousy, revenge, and responsibility play out as alliances within the triangle shift.

In May 1978, the mining town of Kolwezi in Katanga, Zaire (now Democratic Republic of Congo, the former Belgian Congo) is under attack from a group of communist guerillas coming from nearby Angola. The Europeans who work for the Belgian mining company and the Blacks who live in the town are taken as hostages by the invaders, who start a blood bath, shooting Europeans as well as Africans. Many of the Europeans being French, the French decide to organize a counter-attack, and to send a Regiment of Paratroopers from the Foreign Legion. The movie follows the stories of Delbart, a former non-commissioned officer, who was about to go back to France with his African wife and his child, Damrémont, who was Delbart's replacement, Bia, a Zairian doctor, and Annie, an American married to a Belgian engineer as well as Non com Legion officer Federico and the French Ambassador and the Military Attaché.

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

Maisie gets lost in a jungle in Africa and the jungle of romance. The African jungle has snakes, crocodiles and witch doctors. The romantic jungle has a dedicated doctor with an un-dedicated wife and an embittered doctor who is dedicated to no one.

Deep in the African Congo, revolution rages and explosive documents have fallen into the hands of nationalist guerillas. The Red Berets are the government's only hope of retrieving papers which could change the course of the war.

In 2007, scientists from the Wildlife Conservation Society discovered there were an estimated 125,000 western lowland gorillas living in the remote forests of northern Congo. This find offers another chance to protect this endangered great ape and a first look at some unprecedented behaviour – including a knack for using tools. Now primatologist and National Geographic explorer Mireya Mayor ventures into the heart of the jungle to explore the great apes’ secret world. She gets a rare and intimate look into the family life of one gorilla group and witnesses individuals performing feats unexpected in the wild. Spectacularly photographed and featuring new scientific insight, Mystery Gorilla presents startlingly familiar animals like you’ve never seen them before.

Over 6,000 men served and 19 fell in the Congo Battalion (1960-64), Sweden's most dramatic and contentious UN operation. Many of the participants have borne the experience as a lifelong, well-hidden trauma. A visit to the Congo after fifty years causes some of them to finally open up and tell the things that they haven't even been able to say to their closest family.

The ruthless Flint, a disabled man, rules an isolated region of Kongo like an omnipotent god, through superstition and sadism, living only for the day when he can get revenge on the man who ruined his life.

Based on Joseph Conrad's novel, Marlow captains a leaky steamboat up the River Congo in search of a mysterious figure named Kurtz who has carved out a brutal kingdom in which he has power of life and death over his native subjects.

An investigation of the emotional and economic value of Africa's most lucrative export: filmed poverty. Deep in the interiors of the Congo, Dutch artist Renzo Martens single-handedly undertakes an epic journey and launches an emancipatory program that helps the poor become aware of what is their primary capital resource: Poverty. After three years of traveling through the Democratic Republic of the Congo he asks the question: "Who owns poverty?

Some kids in Brussels play a game based upon objects that were brought back from the Congo and which were used during the Hutereau expedition.

A musical oddessy through the heart of Africa in search of the roots of Rock & Roll.

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

A visual travel diary on the expedition led by Brondeel in 1934. This expedition to Belgian Congo, by truck, became a testimony to the social conditions of Africans during the colonial era.

Documentary about the inhabitants, both human and animal, of the Belgian Congo.

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.

In the east of the Democratic Republic of the Congo, rape has been used as a weapon of war for more than 15 years. Martha writes a teenage girl’s guide to surviving sex slavery.