From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
A melancholy man encounters a woman from his past and reflects upon his memories with her.
Examines the system of symbol communication devised by Charles Bliss for use by speech handicapped and deaf individuals. Profiles the life and work of Bliss and shows how his system is used by speech handicapped children at a Canadian center for crippled children
From the jungles of Singapore to the coral reefs of Indonesia, from the ornaments of Australian budgies to the deceptive traps of carnivorous plants, this film explores a world where light becomes language. Seduction, camouflage, overexploitation, reproduction: fluorescence directs behavior, often without us noticing. A light phenomenon that science is just beginning to decipher.
