Simona Kossak - daughter of the painter Jerzy Kossak and granddaughter of Wojciech - deprived of the talent that has defined her family for generations, grows up without knowing the warmth of her despotic mother. When, after graduation, she leaves everything - home, tradition, social conventions - and takes up a job as a scientist in Białowieża, she starts life on her own terms.
As a forestry student doing an internship, Anja Grimm ends up in that remote area in the Upper Palatinate Forest, where she went on vacation with her parents as an eight-year-old girl and her father disappeared without a trace. Her job is to take soil samples to create a soil map. At one point in the forest floor she comes across abnormal irregularities. Not long after their arrival, a brutal murder occurs. Anja soon arouses suspicion and hostility not only among the villagers with her suspicion that the perpetrator knows something about her father's fate and with her questions about the atypical soil composition in the forest clearing. Even the police react extremely reservedly to their investigations. And when it turns out that the young woman can read the signs of the forest like an open book, forces mobilize in the village who are apparently ready for anything because there is a dark secret that needs to be kept.
Living in an ancient redwood tree for more than two years to prevent the tree from being clear-cut, Julia Butterfly Hill captured our hearts and minds by showing us that one person can make a difference. Through interviews with Hill, filmmaker Doug Wolens paints a portrait of an intensely spiritual and articulate woman who encountered both beauty and horror (she was assaulted by lumber company helicopters at one point) during her time above ground.
A modern fairy tale unfolds in the enchanting embrace of the Finnish forest, as young people seamlessly weave into the fabric of nature, swimming in crystalline lakes and revel in the calm presence of the ancient trees. This idyllic harmony is imperiled as the forest faces man-made extinction. Driven by her love for the forest, 22-year-old Ida becomes the leader of the new Forest Movement, coming face to face with Finnish forest industry giants and confronting generational bias.
In Fairy Creek, director Jen Muranetz documents the largest act of civil disobedience in Canadian history, creating a searing portrait of contemporary environmental activism, bearing witness to the lengths activists are willing to take to protect British Columbia’s last old growth forests.
Follow a group of boys as they learn forestry, map reading, camping, canoeing and rock climbing.
The human impact on forests is explored through breathtaking vistas and poignant vignettes set in Canada's Pacific Northwest. Those who rely on this precious resource highlight the tensions and dilemmas between commodification and conservation.
Award-winning war photographer Rita Leistner goes back to her roots as a tree planter in the wilderness of British Columbia, offering an inside take on the grueling, sometimes fun and always life-changing experience of restoring Canada’s forests. Leistner, who has photographed some of the world’s most dangerous places, credits the challenge of tree-planting for her physical and mental endurance. In Forest for the Trees, her first feature film, she revisits her past to share the lessons she learned. The film introduces us to everyday life on the “cut-block” and the brave souls who fight through rough terrains and work endless hours to bring our forests to life. The rugged BC landscape comes to life magically in Leistner’s photography, while the quirky characters and nuggets of wisdom shared around the campfire tell a sincere story of community.
When Rana's delight, her hen, Kakoli, goes missing, causing her to enter into the state of shock, and joy consequently leaving her completely, her brother and his friend embark on a quest to find the animal, and possibly save her from the dangerous band of local poachers, who coincidently turn out to be followed for arrest by the very small team of local rangers, consisting of Rana's father, among others.
Discover the "character" of one of Missouri's oldest tie and lumber operations through this archival black-and-white film that documents one of the last railroad tie drives on the Black River made by the T.J. Moss Tie Company of St. Louis in the 1920s. Thanks to release of the film by the Kerr-McGee Chemical Corporation, the rare footage in "Stamp of Character" takes us through the entire process of making railroad ties, at a time when forests covered almost two-thirds of the state. The original silent motion picture was shown in movie theaters as an advertisement by the T.J. Moss Tie Company. Using digitally edited narration and realistic sound effects, this video makes the past live again.
Retired lumber jacks talk about their careers in forest industry of Lapland.
Documentary produced by Unilever about of the operations of its subsidiary. The United Africa Company (Timber) Limited, and associated companies,
Blad-Johan and the Nature Filmer are two cartoon characters who are part of this rhapsodic montage of crazy ideas and situations that take place in nature.
In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.
