A prairie landscape undergoes a metamorphosis: rural idyll to over-urbanized dystopia. Director Anne Koizumi laments the changing face of her hometown of Calgary in this critique of the bacteria-like spread of suburbia and exurbia. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.
After witnessing an old dark stormy cloud painfully rain and die in sorrow; Noma, a puffy white cloud realizes that Mixtli, her daughter, a dark stormy cloud, is in danger of raining prematurely.
Through a grey blanket of clouds, we barely discern the contours of Mount Fuji, a volcano with many faces. 4,500 exceptional and diverse photographs from the past 150 years form the basis for Ascent. Made entirely with stills, it is a filmic experiment balancing between documentary and fiction, photography and film, where an English woman and her deceased Japanese partner, Hiroshi, lead the way. As Mount Fuji is climbed across geographical, temporal and cultural divides, the narrative unfolds, exploring unexpected paths.
A woman with weird superpowers, a turtle with obsessive-compulsive disorder and a cloud with rain incontinence on an unusual journey to the depths of the ocean.
Recorded Live on August 11, 2013, KEXP and Nature Consortium presents Cloud Cult performing at Camp Long during the 15th Arts in Nature Festival.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Bob is taking a math test but gets distracted by his intrusive thoughts. This is the first short film made by Julian Lamprecht which was a final project for a 2D animation college course.
In 1927, meteorologist Masanao Abe (1891-1966) established the Abe Cloud Air Current Research Observatory on the heights of Gotemba in Shizuoka Prefecture. Until 1942, through his contributions to research magazines and publications, he worked on elucidating the formation process of clouds above Mount Fuji. He left a colossal archive representative of modern meteorology, including pictorial records of every kind-- this one an early success, artistically.
The cloud phenomena of Maloja are so well-known that some of them have names, such as the Maloja snake, a cloud bank that winds its way through the Alpine pass like a river. Clouds pass overhead, Fanck films them, just sufficiently to get the idea, among the crags of the Engadine, and gradually he connotes the wider scene, peopling the solitude and stillness below with a person or two, boating.
A group of "frolickers" reflect upon nature to find out what they are all missing in life.
In a world where rain is produced by puppy-like rain clouds, Mother Nature’s young daughter sets them free to save them from evaporation.
A film about being, having been and becoming through the lens of a boy desperately trying to sketch out a cloud.
A boy sets out on a journey to find the missing clouds. Wandering through parched lands and forgotten forests, he stumbles upon remnants of life—those who once thrived under the shelter of the monsoons. He meets the very souls still yearning for the return of the rain and continues his journey to find the clouds.
Moments full of peace, in which you do not believe that something can happen, but in which you are always alert. Alert though you see it far away. Suddenly everything becomes cloudy, reaches you and consumes you.
Experimental short film showing a single 10-minute shot of the sky.
Clouds forming and moving through the summer sky.
Cloud Cult's "Unplug: The Film" is a distillation; twelve years of songwriting into seventy minutes of acoustic performance. What remains is a shared experience of honesty and vulnerability. The songs took collective shape around campfires at the band's recording studio in the woods of Wisconsin and took stage at the Southern Theater in Minneapolis where the concert footage was shot, along with interviews and behind the scenes footage. Co-produced by Jeff D. Johnson (Motion 117 Productions) and Craig Minowa, the film is product of an eight-year collaborative relationship- one that has worked to create a space in which band and audience sit side by side.
In the heart of the city of Buenos Aires, amongst the grey of the cement and the noisiness of the cars and buses, everyone seems to look down. Even the cameras put there to watch the people’s every move. But, what happens if we finally decide to look up? What’s coming after the clouds?
One day in the 70s, at the Northern New Territories. Under the brazing sun, the sound of cicadas intertwined with the rotten smell near the train tracks. The five youngsters could not dismiss the summer blues. They pushed the weeds and stepped on the squirming maggots. They found a decaying dead body trapped under the burning sun. It was oozing a foul stench. They covered their nose and vomited. Hearing the train whined, the youngsters made up their minds. Even though they did not have much, they answered the call from the syrup and caffeine. They added colour to their lives with a pinch of salt onto the transparent White Cloud, and they dashed in full strength and leaped up.
