Half Past Ten 2008
An alcoholic married man discovers he has fallen out of love with his moody wife.
An alcoholic married man discovers he has fallen out of love with his moody wife.
Karel Doležal, insurance clerk and exemplary father of a family, leaves for a business trip with his secretary Vlasta. After spending the night together, they both return home. However, thanks to a small moment of inattention, they run over the boys. Karel runs away from the scene of the crime. He won't tell anyone what happened. Then when he reads in the newspaper that the boy did not survive the accident, he begins to feel guilty. He confides in his wife about the accident, not the infidelity. Their son Jirka overhears everything. His father has always been his role model, and that's why he doesn't want to accept his guilt.
One is tempted to believe that the creature once had some sort of intelligible shape and is now only a broken-down remnant. Yet this does not seem to be the case; at least there is no sign of it; nowhere is there an unfinished or unbroken surface to suggest anything of the kind; the whole thing looks senseless enough, but in its own way perfectly finished. In any case, closer scrutiny is impossible, since Odradek is extraordinarily nimble and can never be laid hold of. - Franz Kafka
A judge is on the verge of rendering a "lawful" but doubtful sentence in a sensitive case involving a high-ranking dignitary. As she struggles with a decaying system and her own inertia, an internal voice reminds her of Article 22: the sacred duty of a judge to persevere in finding the truth. In a visceral confrontation with her own conscience, she must decide: will she hide behind the safety of legal papers, or will she trigger the "apocalypse" that comes with uncovering a horrific truth? A sharp meditation on personal responsibility and the spirit of the law.
A man in crisis just doesn’t know how to fix things with his conscience.
Lost Mind is an experimental short film written and directed by Lucas Donnat, that explores the perception of time and memory through the staging of a man's death. The film questions the boundary between reality and imagination. Here, time is no longer linear: the past becomes the memory of a future, and the future becomes the altered continuation of a past already rewritten. Currently in production.
Film deals with the problematic of the water exploitation, contamination and manipulation. The documentary points to the realizations and discoveries that water memorizes and that it is conscious.
Malik discovers he is trapped in his mind and has to find a way out .