A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.
It’s Christmas Eve, and Ewa has plotted to pass the hours until morning with her former lover Janusz, a family man, by making him believe her husband has gone missing. During this night of recklessness and lies, the pair grapple with choices made when their affair was discovered three years ago, and with the value of their present lives.
The story centers on the Roman merchant Piacchi, who raises the foundling Nicolo after the death of his son and bequeaths all his possessions to the young man. However, the adopted son turns against Piacchi and his wife.
A young man from the countryside goes to Berlin, where he is robbed by hoodlums. Completely penniless, he meets a prostitute with whom he falls in love, but the pimp wins. In a hopeless situation, he decides to take back what is his by force.
The author Peter Ustinov has called his work "Endspurt" a "biographical adventure". Biographical because the somewhat ambitious but later successful writer Sam Kinsale meets here as a twenty-, forty- and sixty-year-old. The interesting thing about this film, however, is that the four Sams are confronted with each other. The diversity of an eighty-year-old life becomes transparent. At the age of 20, Sam Kinsale loves the young Stella and is determined to marry her. But 20 years later, he is fed up with the marriage and wants to leave her. But he doesn't because she is expecting a child. As a sixty-year-old, he is constantly making compromises both in his work as a writer and in his personal life.
In Dichterliebe (2000), a film by Oliver Herrmann based on Robert Schumann’s song-cycle of the same name, the boundaries between song recital and reality blur. The chosen setting – a night club in the centre of Berlin – creates the intimate, dark salon atmosphere in which the songs might also have been performed at the time they were written. Returning to origins in this way, the film departs from the concert atmosphere in which song-recitals are normally performed nowadays.
A dance group forms at Gleisdreieck station, Berlin. More and more people join in until the next train leaves the station.
Chris, Alois and Harry keep their heads above water in West Berlin with small robberies and odd jobs. When they manage to rob an armored car coming from East Berlin, it's a dream come true for them...
In 1930s New York, Morris Bober runs a grocery store that barely keeps his head above water. When his store is robbed one day and the few takings from the till are stolen, his wife Ida and daughter Helen continue to run the store until one day a young man turns up...
Miss Giehse, an elderly teacher in a boarding school, tries with a lot of good will for her student Robert. The boy seems strangely withdrawn and depressed to her. Robert, whose behavior can be traced back to his parental home, which lacks orderly family relationships, disrupts the lessons with his defiant and rebellious behavior. All her attempts to investigate the causes of this behavior, however, only lead to increasingly serious misunderstandings. In almost hysterical exaggeration, provoked by Robert's tormenting behavior, she finally believes that he is trying to poison her and knocks the boy down during a break. The principal of the boarding school inadvertently witnesses this incident and dismisses Miss Giehse after a heated controversy. The teacher does not overcome the shame of the dismissal and the pain of her own actions and dies on the day she has to leave the boarding school on a trip with the school bus.
A drama directed by Martin Buchhorn based on the novel by Günter Grass. At the center of the film is artist Marcus Frank, who is informed by a talking rat about the imminent end of the world. Unfortunately, he does not take the signs of time seriously and rats conquer the earth, which cannot be stopped even by atomic bombs..
Jerzy and Artur’s father dies, leaving behind a valuable stamp collection, which, they discover, is coveted by dealers of varying degrees of shadiness. The more involved the brothers get in their father’s world, the more dire and comical their situation becomes.
Gölge, which means “shadow” in Turkish, is the name of a teenage girl. Gölge is the daughter of Turkish immigrants and belongs to the so-called “second generation” at the end of the 1970s. She lives with her younger sister and her parents in a small two-room apartment in Berlin-Kreuzberg.
A patient tracking shot and an unforgettable aerial view of the Berlin Wall establish both the visual and literal rhetoric of this wellorchestrated documentary. Compelling black and white portraits punctuate the interviews with established Turkish Germans and newcomers. They live in the shadow of the wall and speak of ist uncanny coldness. The stoic voiceover spoken by Norbert Langer recites Frank Kafka’s text “Before the Law,” a story about a man who stands at a door and refuses entry to one particular person. […] (Karina Griffith)
After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.
Roman and Hanka have a loving marriage, but his impotence has led to her having an affair. The unbearable situation drives Roman to extreme measures both physically and mentally, testing their love and his own will to live.
After persuading a local boy to become her lover, a young girl's decision induces the anger of her father, whose incestuous sexual attentions to her have grown unbearable.
Of the five premieres produced during a four-month period, Mozart's "Don Giovanni" on the first night attracted an illustrious audience. In addition to the President of the Federal Republic of Germany and a selection of diplomats and politicians, high-ranking guests included theatrical directors from West Germany and other Western European countries, composers, conductors, actors, writers, painters and sculptors, not to mention rectors and lecturers from Berlin's universities and the world's leading music critics. [...] The success was commensurate with the significance of the occasion. All involved in the performance received countless ovations in front of the magnificent yellow curtain. The new building - and the new stage with its state-of-the-art technology - had shown itself to be more than capable of handling Mozart's most demanding work.
