Populär Vun Brunei Darussalam

October 20th, 1947 was a historical day in the Malayan people's constitutional struggle for independence from British colonialism. This documentary chronicles the events that culminated in the Malaya-wide 'Hartal' day of protest against the undemocratic Federation of Malaya Constitutional Proposals devised by the British Colonial Government, and the rise of the people's democratic movement in Malaya, ten years before independence.

Kasih Tiana, is about a mother who after being blessed with a miracle finds herself having to make a heartbreaking choice – to choose between her own life and that of her baby's. Will Tiana be willing to fulfill the powerful sense of duty as a mother and sacrifice her life to save her child?

An office worker had just missed the last train home. He faced a dilemma, whether to spend money or time in order to get back home.

An average Joe finds his calling after saving the life of a woman attempting suicide. First screened at The Substation’s First Take in 2007, this hilarious look at everyday people trying to be good samaritans explores the idea of the saviour complex in men.

The love of a single mother to raise her children

The past life of a successful doctor named Alia with her disability brother. It centers around the lives of past successful doctor named Alia with a disabled brother. They were orphaned when both their parents died in a road accident. Demi sustain life, Alia and her brother sell Fried around the village. Following the difficulties of life, her brother was finally handed to the host family because Alia wants her ambition to be a doctor.

A short film about a lonely middle aged landlord who rented a room to a couple. The landlord begins to develop an interest to the tenant's young girlfriend and starts creeping into her life.

A malay classic film produce in 1951 with star name such as P Ramlee, Kasma Booty, Neng Yatimah. Directed by B.S. Rajhans

Hati Batu film tells the story of two sisters of a marriage that is not blessed be abused their grandfather who drunkard.

”Tiga suku”, which literally translates into “three quarters”, is a Malay term used in the context of describing crazy, whacky or oddball-like behaviour; of being mentally “not quite there”. And “Mat Tiga Suku” is indeed an eccentric film that seeks to subvert our usual sense of logic, decorum and good taste. In this film, Mat Sentul is a poor and helpless man, lives in a house that talks to him, and daydreams about wealth and pretty princesses. It is an episodic adventure that follows the slapstick antics of Mat Sentul who, among many pranks, moves the bus-stop at his will, halts an aeroplane that does not give way, and pretends to be an office worker, a barber and a doctor.

A mysterious series of supernatural disturbances begins to haunt a small community, leading to the revelation of an ancient Malay curse involving the legendary Penanggal — a flying female spirit that detaches her head and organs to prey on victims at night. As dark secrets slowly unravel, the truth behind the haunting forces the characters to confront forbidden knowledge, black magic, and terrifying consequences.

Bilkuin, Shima and Didi are three youths living on Omadal Island, situated off the coast of Sabah in Borneo, where a majority of the population consists of the stateless Bajau Laut (Sea Gypsies). After joining and excelling in a filmmaking workshop, they are selected to be junior directors or apprentices to be mentored by a professional film crew. 'Jom Kita Ke Laut' tells the specific story of their three lives as they try to document it on their own, which eventually gives us a view of how life is on the island for the Bajau Laut and the challenges they face by being stateless in their own land and not having access to basic human rights like education and healthcare.

It tells the story of a son who is forced to bury his father alone because his father had a troubled past with the local villagers and suddenly, after the burial, his father returns home and invites him for a chat.

Amidst Singapore’s unending redevelopment, the golden legacy of P. Ramlee lives on as the Malay community continues to reminisce about his work, honour his achievements and sing his anthems.

The film tells the story of the suffering of a family of traditional rice farmers who reject the current of modernity and face natural disasters and enemies of their rice crops.

Amir and Izzat, two brothers bound by trauma and silence, embark on a grim journey to confront their past and the abusive father who shaped their lives.

The story of Adli, a thief who disguises himself as a wealthy man and comes to a village to escape being pursued by the authorities. In his attempt to hide his identity, he manages to gain the trust of Tok Imam Saleh, who at the time is facing a crisis of credibility as the leader of the surau (prayer hall). By expressing a desire to deepen his knowledge of religion, Adli appears to be seeking a “spiritual transformation,” something that Tok Imam warmly welcomes. However, not everyone is easily deceived. Khadijah, Tok Imam’s daughter, begins to suspect Adli’s true intentions.