Damián lives with his mom, Mrs. Luz, but one Saturday a friend calls to invite him to his house for a small party, only for the two of them. To liven things up, he has hired a professional exotic dancer, and gives Damián a fright...
A secret agent investigates the death of the scientist who created a deadly ray only to find out his own wife is involved.
Susana Carvente, a retired poet, is haunted by the ghost of her husband. On her sixtieth birthday, Susana reunites with Humberto, a bolero master she remembers from her youth, and a repressed attraction begins to resurface. Meanwhile, Susana stars in an interview where she relives dark moments from her marriage. At a crossroads, Susana must choose between what she believes is right, her past, or her freedom.
Memo lives on a remote Chilean sheep farm, hiding a beautiful singing voice from the outside world. A recluse with a glittery flair, he can't stop dwelling on the past, but what will happen once someone finally listens?
Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.
A married couple loses their children while on a family trip near some caves in Tijuana. The kids eventually reappear without explanation, but it becomes clear that they are not who they used to be, that something terrifying has changed them.
Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.
Genesis 1:26 - Then God said, "Let us make man in our image, after our likeness." So Edu did that with Carmen, his mannequin.
Two charros from Hacienda A come a-courtin' to hacienda B, owned by a friend of their father's. Also a horse-race.
Includes the concert film, a “making of the concert” 30 minute documentary film shot in Puerto Vallarta, Riviera Nayarit, and Guadalajara, entitled “Live It To Believe It,” along with a live CD from December 14, 2013. Superstar performances at this concert event include Elan Atias, Chocquibtown, Lila Downs, Gloria Estefan, Juanes, Miguel, Fher Olvera (of Mana), Niña Pastori, Samuel Rosa (of Skank), Cindy Blackman Santana, Salvador Santana, Romeo Santos, Soledad, and Diego Torres.
Starring Nick Adams in his final role, a lone cowboy rides into a small Western town that is besieged by a gang of hoodlums in search of treasure. The search leads to an all out war between the town bosses, a family of crooked ranchers and other unsavory characters. But when Shannon (Nick Adams) enters the picture, they may have met their match...
Two young men visiting their hometown for a family celebration get caught up in another family's drama, including an honor killing and a lynching.
A businessman returns his family home after eight years in exile avoiding the terrorism of the ETA.
This short experimental documentary about memory and music follows a young Cuban couple charting a new course for their lives on an island in the North Atlantic.
A divorced couple fight over a bankrupt company, while a young woman poses naked for a painter as revenge, an actress rejects a businessman and a model kidnaps her captor.
Five friends join a Cuban to face a powerful gang that wants to take over the theater in which they perform.
During a conversation between a grandfather and his grandson, the latter tells him the story of the liberator General José de San Martín (1778-1850) from the patriot's childhood, through his stay in Spain, his return to the Río de la Plata, the development of the continental plan and the European exile.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
"Yuniol" Perez and Alberto "Junior" Rios come from opposite sides of the tracks in the Dominican Republic. Aloof and detached, Alberto comes from a wealthy family. Driven and focused, Juan is reared by a devoted mother whose affection makes up for the absence of his father. Juan and his mother survive in a tough and impoverished Barrio on the outskirts of the capital city. Behind every happy moment lies an ominous sense of despair. Yet the joyful Dominican way of life for those surviving on the margins serves as a testament to people anywhere confronted with poverty and injustice.
