The story of three half-sisters who are united when their father dies and his will dictates they live together if they are to get their inheritance. The three sisters; the passionate Nada, the westernized Roqaya, and the tempered Ghada, have to work out their differences.
A Moroccan-Norwegian co-production about the dark side of Casablanca (Casanegra). In a country where good virtues are the norm in public, Casanegra shows the vices: domestic violence, alcohol abuse and drug abuse. Meet Karim and Adil and their struggle in the big city.
This vehicle for Syrian comedian Duraid Lahham offers the most risqué mad scientist subplot to be found in any of these Lebanese films, thanks to his character visiting the inventor of the Sexatron, a machine whose precise practical purpose remains sketchy, although the method for causing it to blow up is outlined clearly enough in the screencaps below. This sequence evidently tested the censor's limits and contains three splices in the Lebanese version of the movie; it may well have escaped uncut in the Turkish edit of the film.
A poor man rescues a rich man from burglars. as a way for thanking him The rich guy invite him and his family to come and live in his luxurious hotel. The poor family's life turns upside down in their new home.
The story of a family divided ideologically and politically in Algeria in the 1990s, under the helpless gaze of the mother, played by the brilliant Doudja Achachi, the bearer of centuries-old traditions.
Danah, a Saudi girl with a passion for artificial intelligence embark on a journey to create good in the world using robotics. Meanwhile, three friends Saad, Saltooh and Kalb hit rock bottom and go on a journey of their own to prove themselves to society by becoming crime fighting superheroes.
Our man has about everything against him : he is short, weak, so simple, with an IQ far below the average. There is no wonder why he keeps on being teased by his friends, parents and even fiancee. But circumstances will turn him into a hero and then a vicious criminal feared by all. Half-educated and out-of-work, Taha, is kidnapped by a gang of thieves in his hometown Alexandria. Unbeknownst to them, neither Taha's mother nor his girlfriend has a fraction of the ransom
Reda, a young salesperson meets Malak in the railway station who asks him to play the role of her husband before her rich parents who live in Upper Egypt.
Qarmouti builds a graveyard for his ancestors, and makes it a paid tourists attraction; this causes him lots of problems with the government. Meantime, a journalist videos an antiquities smuggling operation and the tape ends up with Qarmouti who finds himself chased by the smugglers.
A musical comedy telling the story of a mother who is trying to raise her son Sayyed after her husband's death. However, her son faces problems whether at college or with his uncle.
Bekhit works in a small workshop. He meets Adila by chance in a train, and they both find a suitcase full of money left by an escaping drug dealer. After they fail in finding the suitcase's owner, they both decide to share the money.
"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.
Torn between the life he thought he could leave behind in Tunisia and the life he’s created for himself in Marseille, a man finds himself at a crucial crossroads, in Nejib Belkadhi’s latest.
Amid the poverty, death, and suffering caused by World War II, 18-year-old Yehia retreats into a private world of fantasy and longing. Obsessed with Hollywood, he dreams of studying filmmaking in America but struggles to pursue his dream, given the constraints of his life in the middle class and the horrors of war.
A new guy who falls in love with a girl he meets, loses his memory when she accidently hit him with her car; the doctor advices his father to repeat the same day over and over for his son so that he can get back his memory.
Shocked by the video of a woman who sets herself on fire, Ali, a young computer scientist, becomes a whistleblower to elicit empathy and rouse his stagnant society.
An aspiring filmmaker takes a leap of faith and agrees to make a commercial film in a short time, unaware that the process sets him onto a comedic adventure.
In an attempt to rent a room whose owner only rents to girls, Zaghloul and Hassouna dress up as women. As they meet the villa's residents Nagwa and Nahed, the girls end up falling for them.
A social comedy that tells the life of the street in Cairo in 2007 and 2008 through a taxi driver. We see daily dilemmas for the taxi driver through the taxi customers from all segments of the society in comical paradoxical paradoxes that reflect the spirit and rhythm of the Egyptian street in all its manifestations to see the state of a society full of shyness and surprise. .
The story follows a drug dealer who is exposed to many problems after he becomes accused of murder, which drives him to try to prove his innocence and repent.
