Daniel, a Spanish filmmaker would like to give his country back some of the hope it has lost due to the financial crisis. He's determined to shoot an inspirational movie about the Moncloa Pact, the agreement that brought back Democracy to Spain after the Franco era. The thing is he wants the film to be a musical.
Internet as a victim facilitator for sexual slavery underage hitmen, infant labor workers under inhuman conditions, dysfunctional shelters, collateral victims and distraught families are some of the topics engaged by The Wild Dance
The Spirit of the Forest is a fun-filled, action-packed adventure that takes you into a spectacular world beyond your imagination! The evil Mrs. D’Abondo wants to help a powerful businessman build a highway through the middle of the forest, a diabolical plan that forces the forest creatures to flee. To stop Mrs. D’Abondo and save their homes, Furi leads his friends in a daring mission to keep the forest alive.
The death of patriarch Alfredo sends his heirs into a downward spiral. With the pending sale of their beach house, a repository of childhood memories, three siblings’ long-simmering resentments are brought to a full boil.
Accompany Osvaldo, "El Mariana", on an intimate six-month journey as he prepares for his fight at La Velada del Año 4, at the Santiago Bernabéu stadium in Madrid. Through his training, we not only see him face physical and emotional challenges, but also discover new facets of himself, where his public and personal lives become deeply intertwined.
In Cold War-era West Berlin, Lola (Julia Migenes-Johnson), an American blues singer with a nightclub band, falls for the piano player, David (Jose Coronado). Their romance is cut short when David must return to his native East, and Lola soon begins an affair with Huessler (Keith Baxter), the bandleader. But any guilt Lola may feel for betraying David is assuaged when Huessler saves her from unexpected misfortune.
Alex is a young woman who resorts to arms and drug trafficking to support her parents and younger brother in 1990s Basque Country. Alex has her life further complicated by her unrequited love for Javi, a member of her criminal gang.
A mental patient detained in a psychiatric hospital escapes from confinement and is dedicated to roam the outskirts of Madrid. His mind is no more disturbed rationale to kill. After murdering two girls on the banks of a river, go stringing a series of murders each more repulsive, spreading terror in the place. José and Antonio, two good friends, prepare a fun weekend at the country house that Joseph's family owns on the outskirts of the city. Taking this opportunity to invite two beautiful sisters, Anne and Laura, who accept the invitation. Ana, the eldest, works as a secretary, unhurried lives and loves Antonio. Laura on the other hand, has a shy and introverted character that has intensified after a recent failed love affair. Everything seems it will be a fun weekend for two couples.
After a series of doublecrosses involving stolen diamonds, a gangster's babe in Argentina flees to Mexico; she's kept by a druggy, decadent painter and then falls in love with his brother.
Mexico City, or "Chilangolandia," is a chaotic metropolis where millions of stories take place every day. Some of them are part of this fun comedy full of familiar characters and others that defy stereotypes. Ramiro is a taxi driver who hopes his problems will end when his nephew "El Chulo" becomes a national soccer star. On the other hand, Carmen and Miguel are couple who unexpectedly receive a suitcase with a large sum of money, just what they need to get out of their financial situation. But when the true owners of the cash realize that it fell into the wrong hands, endless adventures and misunderstandings break out within this complex city.
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
The Swiss-Chilean citizen Carlos Kindermann has returned to the Araucania region in Chile after 47 years. He returns to his childhood land, from which he was torn away before his adolescence. Not even the 3,000 thousand hectares of valuable territory he comes to receive as an inheritance from his recently deceased father can reverse the physical and mental exhaustion he brings from Europe. Kindermann wants to sell quickly and forget as soon as possible this unwanted journey. Events however, slowly disintegrate this desire and push the character to a crossroads of life and death, between two openly excluding world views.
Ana lives her youth in Valle de Abdalajís (Málaga). But her life took a complete turn and, together with a group of courageous and determined women, she began a charitable work in favor of the needy, especially the abandoned elderly, orphaned children and people in vulnerable situations. She would eventually found the Congregation of Mothers of the Homeless and St. Joseph of the Mountain. 30 years after her death, her remains were stolen in the midst of the Spanish Civil War.
Three nymphets struggle to have a beneficial youth: Ana is suicidal, Mercedes is attracted to her brother William, and Patricia desires to be sexually abused.
During a driving lesson, two Cuban siblings: a newly arrived trans woman (Lola Bosch) and her estranged conservative brother (Ariel Texidó), face each other for the first time in years, with Miami passing silently outside the windows.
A fleeting, magical relationship blossoms when Diego, abandoned by his wife, meets Amanda, a fanciful teen amputee trampoline jumper. A meek mermaid and a disoriented, free-falling man's unlikely bond.
Gabriel, a lonely man who cares for his wife infected by a zombie virus, receives the visit of two strangers who come looking for a place to spend the night.
Commissioner Mendoza must join forces with the honorable civil guard, to stop the activities of a network of drug traffickers with international contacts that intend to act in Spain.
