During the war, Ana lost members of her family and was raped by a member of the Serb paramilitary forces. Years later, she accidentally sees her tormentor in the middle of Zagreb. She goes to the police, but the man who fits her description was allegedly killed in the war. While nobody believes Ana, the murderous rapist is determined to eliminate her.
The Prišt brothers are at a crossroads, preparing for their acting studies. Krešo, the older brother, has a hump and too much confidence. The other brother, Kruno, who can’t properly pronounce some words, finds out he has failed his entrance exam at the Faculty of Forestry and his girlfriend has left him. They chose their neighbour Črček, who lives in the same building, to supervise their preparations for studying acting. Črček is one of those characters who can’t do anything right, but at the same time he is likeable, chatty and ready to help.
An obscure actor is hired by the police to get a confession out of a dying mafioso.
A story about suicidal general, a minister in the Croatian government who voluntarily locks himself inside a prison cell, and 4 pensioners, who steal the coffin with the remains of the late Croatian president.
TV miniseries "More than words explores the possibilities and ways of behavior in non-verbal communication, primarily movements, gestures and ways of expression, but also the causes and roots of their origin. The series also explores the most interesting changes in the development of different cultures, including tattooing, scarring and body painting. Series also deal with the language of deaf and blind people, different universal languages, laughter, whistling and other peripheral phenomena associated with non-verbal communication. It also answers the questions does politicians think what they say, do suspects lie to the police or the court and how their body language reveals them..
Matea is a twelve-year-old whiner who hopes her birthday party will make her more popular at school. Nera is a girl at a crossroads in life. An incident in front of a shopping mall could give her a new perspective on things. Miran is a new husband, son-in-law, and a father-to-be who is simply trying to move his things to a new apartment with the help of neighbors who start giving him a hard time. Three neighbors on the verge of a breakdown on a winter's night.
"Retro Boom" is a documentary film shot in the period from 2013 to 2019, before COVID-19 pandemic. Filming takes place in the clubs: Vintage industrial Bar, Route 66, Pepermint, KSET, Johann Franck (all in Zagreb) and festivals in Medulin (Tear it up) , Zagreb (Zagreb Vintage Festival), Sveti Martin na Muri (Trash'n'burn). It is a film that brings a cross-section of an interesting retro scene that has existed in Croatia for years. In the last ten years, the vintage (retro) scene has expanded greatly among the young and among the middle generation, it can almost be said that it has become fashionable, but by no means mainstream. The film follows original rockabilly and rock'n'roll bands, fashion, clothes, pin-up girls, barbers, old furniture, old items, motorbikes and a lot more – all of it gathered through interviews and events of the past years.
After a chainsaw is stolen from his ill father, Toni must face the harsh truths and fears regarding his father's physical and mental state.
Marinko, an assistant worker in the tow-away service has had visions of Virgin Mary. He does not know what to do with her.
Chronicles the Serbian terror in Croatia through several historical periods: the Serbian occupation of 1918., the establishment of Independent State of Croatia (NDH), uprising against NDH, re-establishment of communist Yugoslavia, uprising against modern day Republic of Croatia during the Tudjman decade (1991. - 2000.) and the period between 2000. - 2018. during which the myths of "Greater Serbia" and Yugoslavia are restored, financed and spread.
At the beginning of the war in Croatia, Vjera refuses to leave the ruins of her home on the front line . Her husband flees town while their son goes to battlefield. Working as an interpreter she starts her path of self-discovery.
The film is set over the course of a New Year's Eve night in the Croatian port city of Split, where it follows three parallel plots. The first plot line features a small-time drug dealer Nike (Marinko Prga) and a young widow Marija (Nives Ivankovic); the second plot line deals with a drug addict called Maja (Marija Skaricic) who decides to have sex with an US Navy sailor called Franky (Coolio) in exchange for some heroin; the third one shows a young couple, Luka and Andela (Vicko Bilandzic and Ivana Roscic) who spend the night desperately looking for a place to celebrate the New Year by having their first sexual experience. The plots are connected through Dino Dvornik's concert, where all of them pass through at some point, and through the omnipresent fireworks that dot the night sky over the course of the film.
A documentary about the history of Yugoslavian Film Festival in Pula and ex-Yu cinema in general. Many legends of ex-Yu cinema were interviewed here.
25 years from the Homeland war, Croatia is far from ideal of the veterans, now disgruntled men silenced with pensions. A few war veterans are brought back together by an idea of Museum of Homeland Thanksgiving in Paromlin building in Zagreb city center.
Koko and friends spend summer vacation on the shores of a lake near the idyllic Green Hill. The magical countryside is disturbed by unusual events which alarm the children as well as the locals: under cover of night, burglars break into one house after another. When the police turns a blind eye to denunciations by adults, the children decide to take matters into their own hands and unmask the burglars.
Marina complains to Tomica for TV being too loud because “the baby’s just fallen asleep”. But he has a good reason for turning the volume up.
Origolab, an internationally renowned genetical engineering company, establishes a new headquarters within the walls of a small medieval town in Istria and Boris, an ambitous up and coming biologist, gets a position in it. However, he discovers a terrifying secret: whilst Origolab might be on the verge of a scientific breakthrough with discovering eternal life, they have been kidnapping local children to achieve this, putting him before a moral dilemma. Should he try to save the most recent kidnapping victim? Or will he bend under the promise of the scientific discovery of a century?
Franjo's mid-life crisis isn't made any easier by the recent passing of his best friend and a terrible divorce. Being unable to cope with this in a mature way, he slips into alcoholism, trapping himself in an endless loop of his own making.
Story about alienation, freezing and death.
It is the mid 17th century. The Jesuits spread their influence in Central Europe. Maria, a young Countess lives in the castle. Father Had is a honest and ardent servant of the Society of Jesus. He is dedicated to his life's mission, and as such he is an ideal tool in the hands of his superiors, who have their own plans. Had becomes Maria's confessor. Her woman's charm, intelligence and energy, as well as her beauty, are a constant temptation to him. Jesuits are making pressure on Had to finally realize their plans. Will the Jesuits, at last, achieve their goals and take the castle?
