Populär Vun Croatia

Documentary on how the reporter or HRT (Croatian Radio Television) died on 28th of August 1991 when the members JNA (Yugoslav Peoples Army) fired on him in the Osijek residence of Brijest. Kaić worked for HRT for over 20 years creating a row of amazing shows, His life can not be boiled down to one shot,even though that is the shot of truth. After the murder of Gordan Lederer,murder of Žarko Kaić in Osijek showed the entire world how much the hatred towards the truth had been contained in the Serbian-Chetnik Aggression on Croatia. Žarko Kaić voluntarily went into the Croatian Civil War as the witness of the truth. The shot from the tank of JNA (Yugoslav Peoples Army),was the shot to the truth about the Croatian Civil War in the 90s The recordings of Žarko Kaić prove that.

Two Nazis in the forest are chopping wood.

The film follows a basketball game of picturesque characters in a neon, rubber world. On the field there is also a bird with human feet which catches the eye of one of the players with its ballet moves.

One morning a woman dives into a sea of thoughts where the boundary between reality and imagination is lost, facing her insecurity and fears.

An animated film made as a by-product of COVID during a ten-day isolation.

To this small shift in one of many Microcosms, I willingly engrave meaning, using mythology. Myth as a metaphor, or as a means of destruction of every fright that might cross in.

This audio-visual essay advocates the imagination through a travelogue of constructed and anonymous landscapes. It is a note about the future. Narratives that intertwine between the visual, the auditory, and the expressed tell us about loss, search, presence, vigilance, responsibility, struggle, and freedom.

Beauty parlours as places of listening between 3 women in Women Women Women. The young stripper Kika has a troubled night. In Naftalan, the mother of the director is being treated for psoriasis in a specialised hospital and in White Trash a dumping ground is inhabited by hundreds of gulls in a dense fog. Now I Am Irena confronts a past pregnancy and Welcome to Igrane shows a region’s resistance to touristification.