Populär Vun Kuwait

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...

A teenager unwittingly reveals a terrible family secret to her new neighbors.

Twelve-year-old Noura dangles uncertainly in that difficult netherworld between childhood and adulthood. His growing libido has gotten him banned from the women's baths, where his mother took him when he was younger, but he's not yet old enough to participate in grown-up discussions with the men of his Tunisian village. Noura's only real friend is a troublemaker named Salih -- the village political outcast.

The kidnapping of a little girl creates tension and suspicion in Algiers. Only Dounia, a brilliant psychiatrist, and Sami, a police inspector, can unearth the demons of the past.

Forced to leave Sudan for East Africa following the outbreak of war, five citizens of Khartoum — a civil servant, a tea lady, a resistance committee volunteer, and two young bottle collectors — reenact their stories of survival and freedom through dreams, revolution, and civil war.

Nubi, a wealthy man with Communist ties, sets out to find his half-brother Gamal, who has been disowned for being gay, to let him inherit his father's fortune. In the process, Nubi is supposed to kill Gamal's stepmother Raifa, a suspected drug dealer, before she can kill his half-brother.

The events revolve around a family trying to collect their inheritance. When they meet, strange situations occur and suspicion prevails, as each of them believes that there is someone who wants to seize the inheritance alone.

Taqasim, shot in the streets of Cairo, is a voyage to the hidden treasures of Arabic music and to the participation of Jewish musicians. With stylishly shot music and unforgettable back-ally jams played by Felix Mizrachi, Zehava Ben, Abraham Salman and others, this film brings classical Arabic music raw and captivating.

Dallas is a director forced to make a film to get out of a bad financial situation, he associates with a rich businessman who is a passionate film cinephile. During the shooting, the main actor dies. A crazy adventure full of twists and turns and humor ensues.

Director: Esam Al-Sayyed (Director) Mohamed Shaker (Director) Writer: Hamdy Abbas (Writer) Cast: Samy Maghawry Saeed Al Saleh Rawia Saleh Magdy Kamel George Sedhom Hala Fakher (more)

Under the imminent threat of Lebanon's garbage crisis, Hala, a wild child inside of a woman, is the only one to refuse evacuation, clinging to whatever remains of home.

Based on the epic, written on twelve 5000 year old clay tablets, this is the first film adaption of Gilgamesh

A middle-aged tailor and his wife find their relationship challenged by the arrival of a handsome new apprentice.

George Fahmy, Egypt's most adored actor, is pressured to star in a film commissioned by the highest authorities. He reluctantly accepts and finds himself thrown into the inner circle of power. Like moth drawn to flame, he begins an affair with the mysterious wife of the general overseeing the project.

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

Haifa, nicknamed after the city of his love and hope, goes around and comes around in a Palestinian refugee camp. Although he is everybody's fool, there are many things that only he knows. He is closely related to the family of Abu Said, a former policeman who gains new hopes from the political developments. Oum Said, his wife, hangs her hope on the imminent release of their eldest son, Said, from jail. She tries to find him a bride to secure things for the future. Their youngest son, Siad, is cynical and rebellious. He refuses to believe things. Sabah, the 12 year old daughter is romancing the future and wants to find out what's in it for her. The different stories are interwoven into a very timely insight into the current Palestinian mind.

Over three periods of her life, a grandmother keeps repeating to her grandson the same apparently trivial story.

Everyone in Hamad’s family has his own affairs: Taiba is a domineering wife who takes on the responsibilities of the house, Salem continues his studies abroad, Bashayer tries to work after graduation in the field of journalism, Nasser plays football without interest in studying, and Tahani wants to marry because she does not want to continue her studies.

A few Kuwaiti students leave in the 50's to the University of Cairo in Egypt, the land of art and openness and experience exceptional love stories.

The events of the series revolve around “Abu Ibrahim” (Saad Al-Faraj), whose house burns and loses all his family, after which he lives a stage of schizophrenia and a painful and poignant life because of his feeling of guilt for what happened.

In 1967, three brothers from the Badr Al-Dajji family live on his personal path, Haji, the older brother who owns a sweets shop, the middle brother who died early, and the younger brother who takes what he is unjustly entitled.

"Al-Aqdar" (Fate) is a 1978 Kuwaiti drama that follows Khalifa, a man torn between tradition and change as he considers a second marriage to fulfill his dream of fatherhood. Set amid Kuwait's transformation following the oil boom, the series explores family conflicts and the impact of modernization on personal and generational values.

Within the framework of the social drama, the events of the series revolve, where the family (Abdullah Al-Afour) lives in one house in the light of interdependence and unity, but with his son Ghazi assuming the position of a minister, things change, and many problems and personal interests appear, which affect the interdependence of this family.

A traditional comedy series, which deals with the memoirs of Juha and his son, the poet Ajib, their adventures in trade, and their passage in funny situations that expose them to embarrassment, their determination and their efforts to earn the sustenance of their day and to satisfy Juha's wife, the greedy.

The elder spreads ruin everywhere, and asks his sons Alqam and Hazbona to work to change Ajaj to become a liar, a deceitful and a spiteful so that he can fulfill his old prophecy of spreading destruction in the world through the ruler of the city of the winds

Married to Rasheed with whom she runs a school, Hela thinks she has the perfect husband. Only because she doesn’t know his secret…

Four individuals at a crossroads in life are given the chance to take both paths, and decide which road is best for them.

The Kuwaiti comedy series حاور زاور, produced in 1972, features a series of humorous and socially reflective scenarios centered around everyday challenges and misunderstandings in Kuwaiti society. Each episode presents a standalone comedic plot that draws on interactions among neighbors, friends, and family, using humor to highlight social issues and relationship creating an engaging viewing experience that resonated with audiences of the time.

In the framework of the social drama, the events of the series revolve around Noura, who sacrifices for her brother Faisal, and enters prison instead of him in a drug case, and when she serves the punishment and comes out, she is surprised by Faisal's repudiation of her, threatening to expose his matter if he does not compensate her the years of imprisonment.

"Darb Al-Zalaq" is a classic Kuwaiti TV series that offers a window into Gulf Arab culture through the comedic and often poignant tale of two brothers, Hussein and Saad. Driven by their desire for quick wealth, they embark on a series of ill-fated business ventures, only to find themselves repeatedly caught in the traps of their own making. Set against the backdrop of a rapidly changing society, the series explores themes of greed, family ties, and the unpredictable twists of fate that are central to Arab storytelling. Through humor and satire, "Darb Al-Zalaq" reflects the challenges of balancing tradition and modernity in the Gulf, making it a cultural touchstone that resonates with audiences across generations.

The events revolve around the grandmother (Hababa), who tells her granddaughter Lulwa and Nadia every day a story from the stories of the Thousand and One Nights, so that the scenes follow between the grandmother and the events of the story she tells, and the stories shed light on human values and social issues.

The events revolve around Faiza, an Egyptian girl in her twenties, who makes herself an old woman in order to meet the conditions that were put forward by one of the Kuwaiti families to work as a nanny for the children of the family whose mother died, which the children do not accept at first.

The show focuses on the family of Abdel Hamid Hafez

After the death of a loved one, a woman decides to pursue her passion for writing by penning television scripts.