Populär Vun Mali

Fifteen years later, the heroes from Cruising Bar may hardly have changed but the world around them most certainly has! For the Bull, reality is brutal. His wife of 30 years, sick of his infidelity, decides to show him the door. But the Bull, who has a positive outlook on life, isn't so easily defeated and fights for his survival. The Lion too faces a break-up when his girlfriend leaves. All alone, he's force to relearn the art of seduction. The Peacock, on the other hand, is trying to figure out his sexual identity with the help of a psychologist. As for the Earthworm, his long wait for a soulmate will, at last, be requited.

According to legend, a group of women escaped from Atlantis just before the destruction of the continent. They took refuge on a mysterious island, and founded a kingdom. Men who dared approach the island, were devoured by these sexually voracious Atlanteans, and thus they were called "gobblers".

Anna, a somewhat introverted woman, becomes obsessed with the orthopedic surgeon who helped with her recuperation following a car accident. Incorrectly believing the love to be reciprocated, she embarks on several attempts to try and stay in touch with him but, after several rejections, finds herself descending into despair and, ultimately, hatred.

A young couple: Victor is a musician, Claire is a secretary in a publishing house. Their daily life seems so disappointing, so monotonous, that they begin to spend their time daydreaming, both creating their own imaginary world. At the office, she writes the story of an heroine's imaginary life. He collects material to compose an opera which glorifies the conquistadors.

Vincent Dieutre explores his neighborhood of the Xth arrondissement and sprinkles his ride micro-stories of dredge and drugs.

This is the story Delphine Lamarre, a young woman trying to focus on the way to dance rather than focused on her university studies. It will pass through trials and consequences facing choices.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

Violaine, a twenty-year-old young woman, spends her time photographing people in secret. One morning, when leaving her home, she discovers her neighbor, half dead. This event is going to upset her and to incite her to come out of her solitude to discover who is this man that she has probably saved.

In the year 2222, a former drug dealer is kept in a state of hibernation. Reanimated, he tells his story. Leader in the narcotics market, his situation was prosperous until, during a political change, the government legalized its use.

Constructed like an animated painting in a single fixed shot where light, voice, music and movements interfere.

Charles and Jeanne Renard live with their young kids in a dormitory town. Everyday train and metro,work and return by train and metro to the dormitory town (the famous french sentence "Métro,boulot,dodo"). But how fragile is marital bliss ?

"Les Trois Valses" traces the love story of two people over three eras. In the first waltz (music based on Johann Strauss I), Yvonne is a sensitive Parisian ballet dancer, whose romance with a dashing officer is brought to an abrupt end by his family. She goes off to Vienna to become a big star. In the second waltz, her daughter, an even bigger star, but now of Paris music halls, has a brief flirtation with the rakish man-about-town who is the son of suitor number one. She throws him over pretty quickly for a chance to shine at a Gala performance. Finally, in the third waltz, the two get together, when she is a movie star, and he is posing as an insurance salesman.

Told in four vignettes, this existential comedy relates the exploits of four aspiring criminals who hope to improve their lot, but find that they might not have what it takes for a life of crime.

Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.

Arrabal's sixth film based on his novel from 1969 with the same name as the movie.

André Laroche, an industrialist, has just passed away. Face to his grave, as he is being buried, Anne de Vierne, the wife of a magistrate, confesses to her son François that Laroche was in fact Lupin and that he is his natural child. But he is not the gentleman thief's only offspring! Lupin had indeed another son by a housemaid, Gérard Dagmar, a dancer, magician and - occasionally - burglar. Which complicates the task of François who, to respect the last wishes of the testator, has gone in search of the treasure of Poldavia. For he keeps finding Gérard on his way and his efforts are constantly thwarted by his half-brother. Will Gérard prevent François from becoming the worthy successor to their father or will the two young men decide to join forces? That is the question.