Program: Bodism

Program: Bodism 2019

1

My project shows an attempt to cope with everyday existence and give it meaning. In the chaos of events, thoughts, issues, routine and everyday rituals become a safe haven that protects us from asking ourselves questions about meaning, etc. Treatments around the body, obsession with beauty and youth, excessive health care give us the illusion of controlling time and body. Bursting, splitting, striking out, alienating is not the result of a symptom, a disease manifestation of its existence. This is just because there is a crack, split, alienating fission in human nature.

2019

The Hole

The Hole 2020

1

A short story about struggling with lack, emptiness, loneliness.

2020

The Moments

The Moments 2020

1

An animated poetic etude with dry pastels. Empty beaches, peace, the sound of waves and contact with nature - time for reflection and silence.

2020

The Way

The Way 2021

2.00

The Krakow climbing scene has always been full of personalities from the edge of science, culture and art. For many, sport was a window to the world. The invisible force that draws you into sport is like a drug. Sometimes it doesn't seem to make any sense, but without it everything else loses its meaning as well. Whether you represent the country internationally, climb rocks, or do it just to push your boundaries – it sets the rhythm of your life.

2021

Rust

Rust 1970

1

Mariola Wawrzusiak-Borcz is an artist-welder and the professor at the Academy of Fine Arts. She roams post-industrial areas in search of scrap metal, which she uses in her artwork. During the welding process she creates sculptures of animals and children affected by war. She fulfils her obsessive need to create art in spite of her painful hand condition. That's how she criticizes the mankind.

1970

The Energy Angles

The Energy Angles 2004

1

The expression of the fascination of a problem of the ANGLES existance as of its kind intuitive geometry. The imaginary "MODEL" became the main subject of my artistic activity since many years. I am wondering, how the geometry, whose intentions are only practical purposes, can exist in art. I decided to create ANGLES as the energetic, cultural, sign in a form of a personal fetish, in order to make this problem important. I have a feeling, that having three angles at disposal, I will be able to put them, in any way, on the so called REALITY, but also on my biological motivity. Thanks to this operation, I want to cause a kind of the energetic tension. This TENSION should be an essence of this absurd work, i.e. the way of taking on its own articulation to the selfdependent existing matter.

2004

Cucumber

Cucumber 2020

1

A woman looking for a poolside frolic finds an unlikely ally in the cucumber vendor.

2020

Co-ognition

Co-ognition 1970

1

The protagonist goes for a crazy run within his own consciousness trying to recognize consecutive versions of himself. What will happen when his egos finally meet?

1970