Fences 2015
This wonderful Polish non-narrative animation takes as its theme the constriction and confinement in which we often find ourselves. Viewers will be able to consider when barriers and borders are and are not necessary.
This wonderful Polish non-narrative animation takes as its theme the constriction and confinement in which we often find ourselves. Viewers will be able to consider when barriers and borders are and are not necessary.
A group of school friends are trying to prevent two mysterious women from searching for a missing teddy bear endowed with magical powers.
Join us for a 9-minute walk through the city and its main park, Planty, caught by the eye of Mysłowicz, founder of the Lumen Film Institute. Unlike most major Polish cities, Kraków wasn’t destroyed during the Second World War, which means Planty krakowskie gives you a splendid opportunity to almost feel like you’re there today.
A shocking account of a man who was prisoner No. 1327 for four and a half years. Kazimierz Smoleñ - after World War II, an employee and long-time director of the State Museum in Auschwitz. The world's highest authority on Nazi concentration camp issues - a crown witness in the trials of Nazi torturers.
Propaganda film about Polish diaspora and their settlement in Paraná, Brazil.
In a polish countryside lives a woman who's really close to nature. During the night, she performs rituals like burning roses or cleansing with a hen's egg.
Produced by Social Communication Factory
Dark vision, moody colors and clouds of smoke everywhere – these are the most characteristic elements of the award-winning video clip for Syny. Written and directed by Sebastian Pańczyk, produced by studio Dobro and with visual effects created by Platige Image artists. Smoke plays important visual role for Syny – not only at concerts and live performances. Even the lyrics of “Nag Champa” are dedicated to the smoke generator, so it could not be missing in the video as well. Smoke is present almost in every frame of the film and creates mysterious, slightly unreal atmosphere.
Gustowska recorded the protagonists, three pairs of female twins, in different situations and in the course of the passing time. The camera registered the changes that gradually occurred in the young women, capturing the differences and similarities between the siblings.
“The End The End” shows an interest in the film-making process as a subject. The motif of closed composition is of a circular nature, in which the end signifies the return to the point of departure, and is frequently employed by the artist.
Picture of a fight between two women in which the victim is a judge - a man. 'Re-discovered' film by Jadwiga Singer.
One of Jadwiga Singer's analitical, conceptual films, showing how, using the simple tool of a 16 mm film camera, we are able to manipulate the conception of reality.
One of the structural films by Jadwiga Singer, showing relations between photo image, film record and reality. "Destruction" can also be interpreted as metaphor of Singer`s personal situation.
“Impressions” provides an image of conscious corporeality – an image that was rare in the art of Poland under Communism. The work is a joyful spontaneous story about female subjectivity, a film self-portrait of the artist.
Using a felt-tip pen, Partum draws geometric figures on a TV screen which displays a news broadcast filled with propaganda delivered by the country’s counter-revolutionary party leaders. The artist lays bare the propaganda message of the media and their ideologisation.
surrealistic short film
A man-orchestra plays a concert you have never heard before By Michal Socha