An improvised fiction about a film crew that wants to make a movie about a homeless woman, as an actress, ultimately undermining her image with false goodwill and not truly offering her a role. In other words, about the hypocrisy of film production.
While hunting a mysterious boar, a man gets lost in the forest. He encounters increasingly strange things, and his life is put in danger.
With its breathtaking beauty, Transalpina is more than a spectacular roadway serpentining across the mountain. The age of the road connecting Transylvania with Walachia is counted in thousands of years.
Dir. Leonard Hentiu, Catalina Femoaga, Comel Mihalache, Elefterie Voiculescu, Vivi Dragan-Vasile, Stefan Gladin.
" The Department of Applied Electronics at Bucharest's Polytechnic Institute created and tested a computer-based image-processing installation. The ways in which the discoveries could be used are presented. "
Once upon a time, there was a little girl who lived happily with her parents and her younger sister. But the little girl lived in Romania and her parents really wanted a house for them, so they went to work in Spain. The little girl stayed with her sister in the care of her grandmother and so the years passed, until one day the little sister told her that their parents were going to return. So the little girl began to hope.
An odd night at a strangers home.
Gestures of Resistance connects the personal testimonies of some of the last survivors of the Holocaust from Romania, Czech Republic and Slovakia through their presentations of antifascist resistance - chapter 1: Armed Resistance, chapter 2: Civil/Political Resistance, chapter 3: Resistance through Art, chapter 4: Resistance through Solidarity.
"Life is a Bitch" is a sci-fi video-novel which finds its set in a possible future where the Left has the opportunity to build its project on Europa, moon of planet Jupiter. The short film follows the struggle of a left-minded couple which couldn’t afford the flight to the “Socialist Moon”.
The first ever presidential debate in Romania
Time passes by quickly for a young, small family: soon it will no longer be that small, the children grow up, the parents get older, and this reality in constant motion, erased and diffused, sometimes stops itself in front of the camera.
A landscape is a landscape is a landscape. But in her view of the ambiguity of reality, Wanda Mihuleac composes an infinite landscape of reflections and lights.
Up in the sky, the sun, and another sun, the other’s double. A simple superimposition invokes with all its strength the imaginary and poetics of anticipation, raising, at the same time, the problem of the double. What does the supreme singular represent for our culture of mass reproduction?
What if as a result of the Original Sin, God didn't cast out both Adam and Eve from Paradise? What if the actual punishment were more sinister than that? If you had to wait an entire life just to see your lover, could you endure it?
An unusual attempt at cinéma vérité, in which people are asked if they are happy, while city lights flood the summer nights to the strains of a tender croon.
One of the very rare Romanian abstract films. Rhythms presents concrete objects that break down into all sorts of colours, shapes and shifting substances.
Being Romanian: A Family Journal is the story of millions of Romanians who, through various circumstances, have ended up living between these borders and having to stand each other: just the way things happen in every large family. This is a journey through space and time, where family bridges the gap between every moment that has united us or torn us apart during the last 100 years since the Great Union that marked the birth of modern Romania.
