Venice Is Beautiful In September 1983
A man and a woman, eager for happiness and romance, encounter the desired reality, but fail to recognize it, preferring to take refuge in a space on the border between the concrete world and dreaming.
A man and a woman, eager for happiness and romance, encounter the desired reality, but fail to recognize it, preferring to take refuge in a space on the border between the concrete world and dreaming.
Two friends hatch a plan to pour LSD into the drinking water system under the People's House, but first they have to get rid of them.
"Plecarea" is a story about priorities, as perceived from the perspective of a father whose professional duties tend to take over his family time.
A look at a Romanian classroom in the 1980s.
Musical comedy about a wedding that takes place in a village in Moldova.
Pin-Pin is a circus artist penguin who goes around the world to find partners for a new show. After countless adventures, Pin-Pin returns home, to the circus, with his long-dreamed partners.
A lonely writer struggling with writer's block has an unexpected encounter with a former high school classmate and experiences something out of the ordinary.
Most experiences are unsayable; they happen in a space that no word has ever entered. And still, there are words that connect people over time and shape their lives into having an inextricable link. The journey of three men, part dance into the unknown, part quest for meaning.
In a poor country obsessed with making easy money, 100 bucks are enough to lose your mind for a couple of minutes. The members of a rock band come up with a bet: if you stick a light bulb in your mouth you can’t pull it out anymore. However absurd the idea may seem, it soon proves to be contagious…
It explores life in Romania under communist rule of Nicolae Ceaușescu, showing how an idealized vision of equality and progress was enforced through propaganda, fear, and strict control. Voices from those who lived through the era recall childhood indoctrination, shortages, and constant surveillance, revealing the gap between the promised “utopia” and the harsh reality of repression and deprivation.
Two young people raised in an orphanage struggle to find meaning and direction in their lives amidst the chaos of post-communist Romania's transition.
Iosif Demian returns forty years later to Rosia Montana, the place where two memorable films of the Romanian cinema have been shot: "Nunta de piatra" and "Duhul aurului" for which he signed the cinematography.
A few years before Kubrick in "2001", although in a more farcical way, Ion Popescu-Gopo shows the evolution of a strange creature named man from the time he started to rub flint stones to nowadays when he has managed to split the atoms.
Filmmaker Alina Manolache was born 1990, the year after the fall and execution of Romanian dictator Ceausescu. It marked the beginning of a new, post-communist era. At the start of the film, she calls out to people who had ever been lost on the beach in the nineties to get in touch with her. This seemingly random appeal leads to her traveling around the country and having conversations with a large number of peers about their memories of the experience, and about their life now.
Documentary about a young Romanian Orthodox novice undergoing the rite to become a nun.
This is a film about what the car traffic turns us into. For 5 months the director in the passenger seat accompanies five ordinary people (A half paralyzed man who not only drives a car, but he also helps other people to avail themselves of cars; Peruvian woman, who was been raised in a city with an equally crazed traffic; a father who has recently lost his daughter in a traffic accident; a policeman who was beaten up by the militia before December 1989) on their every day journeys around the capital.
The industrial site, the dam under construction and the colony of workers’ housing attached to them are among the favourite spaces of the Sahia documentary, especially during the last decade of the communist regime. The work on the country’s numerous industrial sites is a constant theme included in the annual Thematic Plans of the studio, therefore repeatedly fixed on film and repeatedly missed, or at least simplified by the documentaries of the time, always completed under the pressure of the political imperative.
With their jobs on the line, three bumbling cops desperately try to take down a ruthless drug lord — and their longtime nemesis — by any means necessary.
Musical comedy in 2 acts. The scenery represents "a country manor house", with the main character, Chirita Barzoi's house on the left, on the right "a grass couch" (for the outside), and the fence and the gate in the back, with the village in the background.