Familia 1976
A father and his children prepare for the New Year.
A father and his children prepare for the New Year.
Co-financed by AFCN - the Administration of the National Cultural Fund and implemented by the Untold Stories Association
Rodica is a Romanian expat living in Belgium who works hard to support her family. Her love for her children is at once powerful and suffocating. Shot in stark black and white, and with the camera staying within close proximity to its protagonists, the film’s minimalist approach offers a glimpse into the complex intimacies of this family. This is a film about love, fear, anxiety and the complicated emotions that emerge at their intersection.
" The electronic computer - with its many possibilities of fast data processing - is not strictly used in scientific and economic fields anymore, it now plays a direct part in the production process. Filmed at the Galați Steel Mill, the film shows the ways in which the computer conducts the production of steel, making fast decisions in as little time as possible, in raport to the variety of situations which may occur. "
30-year old man is looking for a mysterious snake.
His story, everyone story.
“I’ve been a robber, a thief, a thug. I blew my veins out, I drank, I drank and I fucked chicks. I never stole from the poor. I’m HIV-positive since 16 years. I’m repenting over time. I cleaned myself from my sins. I committed offenses but I never took a human life away. Not yet. Haven’t got an abortion either. These are mortal sins - and as for the others, I paid already. I’ve been the worst of bitches but in this life already I’ve seen the light. My name is Stela, I’m 42 years old and I spent 10 of them in jail. Chaos is my life.”
Puiul is a short animated art Romanian movie without dialogue.
A city-vérité conceptual movie shot in Bucharest, the capital of Romania. With an outside-the-box cinematic perspective, a full-encompassing soundtrack, a sequential narrative approach and no dialogues, the film slices through the urban soul and the contemporary spirit of a city formerly known as "Little Paris".
Alina returns home unannounced, a day before her sister Ioana's crucial exam. Unable to reach their hospitalized mother, Ioana grows anxious. Alina's odd behavior sparks a fight. Ioana goes to the hospital, forcing Alina to tell the truth.
A young man who just got hired at a mysterious bank is disillusioned after his boss asks him to track down someone who supposedly stole a large sum from the corporation.
Animated advertisement for ADAS, the State Administration of Insurances.
Let’s work, but how? reproachfully asks one of the workers from the Station for the Mechanization of Agriculture (SMA) in Țăndărei, where filmmaker T. Barta was sent to document the lives of an agricultural brigade. Commissioned by the Ministry of Culture, the film was intended for screening in cinemas. Eight days had been allocated for the full shoot, without prior recce. On the first day, the filmmaker gathered the men round a fire—without having informed the local mayor, the Party Secretary or the head of the SMA, as was customary at the time—and recorded their thoughts about their work: sound only, no images. Once that was completed, the remaining days were dedicated to collecting images of the community.
A short inspired by Pablo Neruda's poem "Tonight I Can Write The Saddest Lines".
George Manu, a brilliant Romanian physicist, is sentenced in 1948 by the communist courts to hard labour for life and imprisoned in Aiud prison. Here he becomes an inexhaustible source of knowledge for the other prisoners, whom he helps to survive the grim world of concentration camps by taking refuge in the world of the knowledge.