Populär Vun Slovenia

The film is a homage to beauty; beauty in a visual and aesthetic sense, but primarily spiritual beauty, the beauty that normally thrives best in concert with love if we let it breathe, that is; if we are prepared to accept it and share in it. The film is playful, it does not build on the bizarre, but on aesthetics, ethics and spirituality. She and He are in T(herapy), in their individual sessions the more introverted She and the extroverted He talk about and gradually uncover a particularly strong experience that in a way represents a turning in their emotional setback. We gradually realize that they do not have a problem accepting what has happened. She would just like to know where it happened, and He would like to see it all again.

Panorama of Judenburg. Transportation of the remains of the leaders of the military revolt shot in 1918 in Judenburg. Reception at Ljubljana railway station and funeral.

We thought we were made of dust, but in fact we are just spirit. Situated in a strange, trashy universe, the story revolves around two creatures. A taxidermist and a butcher. The butcher gets the taxidermist hooked on his drugs, which he offers as an alleged cure for the taxidermist’s disease. The taxidermist becomes a junkie and gives away the most precious love to the butcher in exchange for more drugs. After realizing what he did, he goes to take what belongs to him, but the path ahead is a one-way journey.

Djulo falls in love with a giant green eye.

A poetic exploration of self-doubt and perseverance. Do You Know Where the Birds Live blends reality with imagination as the author reflects on her journey.

Rekvijem is a Yugoslavian (Slovenian) experimental film.

A documentary film about the eternal dreamer from Bosnia and Herzegovina, Hari Džekson. About a man who created an illusory reality from his dreams of being a heroic cowboy, who would save the world, in which the river Drina replaced the Rio bravo and Santa Fe became the Bosnian town of Bijeljina.

Short film about a priest and a dead man's ashes.

It shows the ethnic Nuba civilians defending themselves with the help of over 400 cameras distributed by himself and Klemen Mihelič, the founder of humanitarian organisation H.O.P.E., to volunteers across the war zones in the Nuba Mountains, Blue Nile, and Darfur, documenting the (North) Sudan military's war crimes against local populations.

Chernobyl 25 years later... What was happening in the meantime, between the first nuclear cataclysm and the prospect of another one? Where have all the international relief funds disappeared and where are the millions, intended for the reconstruction of the decaying sarcophagus? Where is my life taking me? What legacy am I leaving to my son... These are just some of the questions that the little boy from Chernobyl Anatoliy Rizhov - Tolya, now a grown-up, is trying to answer 20 years after the first documentary about him was made.

Twenty years after the Labod factory in Krško stopped working, the workers relive the memories of what was it like at work. The space of the factory is left for time to pass through it, and to present us an allegory about the disintegration. Only plants found their way, growing by themselves, ironically adorning the good memories.

With the layering of picture (double exposure, flowing changes of images, frosen image, solarisation) and sound, the artists and the objects in the television studio merged into electronic sensations - an infinite series of over-illuminated, perforated and broken images. The video was made on the basis of the multimedia project (screening and installation) of the same title, and it was presented as 'the deconstruction of screening' in the framework of experimental programme on television. (RTV Ljubljana)

The thoughts of Mica Olip, 105, with glimpses into her life. Given voice, the thoughts take us to the bilingual villages of south Carinthia. The year is 1976, when the Austrian national government requests that members of minorities be counted across the country, to establish whether a minority is eligible for bilingual place-name signs. The census is broadly boycotted by the Slovenian minority in Carinthia. In a small mountain village of Sele, four boys decide to carry out a unique operation: to hijack the ballot box.

The documentary video is the result of the fifth memorial service, carried out in 2015 as part of a multi-year public memory collection project at the former border crossing between Nova Gorica and Gorizia. In the premises of the railway station in Nova Gorica, we collected memories and photographs of buildings in Nova Gorica and Gorizia that we pass by without knowing their stories and fates. Citizens of both Gorizias were invited to select photographs of the buildings in their albums and talk about their stories.

In December 2013, the fourth memorial service, entitled Found Portraits, was held at the former border crossing between Nova Gorica and Gorizia. Citizens of both Goricas were invited to select photographs of unknown fellow citizens and talk about their memories of them.

It is a story about a group of elderly users from the nursing home of Danica Vogrinec from Maribor, who, despite their age and disease limitations, are eager to show their greatness and for some, the first performance in their lives. They named themselves VIP Danica. With an old-timer, they go to a very unique festival in Kragujevac. The journey is long and they are not of strong health. However, they are determined to perform their performance for the last time...

The human has been freed of physical labour by automatic devices. But the machine made a slave out of the human. The human has become a machine: working, living – and nothing more.

Through three different perspectives on life (belief in God, disbelief in the existence of meaning, and acceptance), this animation explores the author’s interpretation of a natural path in the human experience.

The Future ... Is Just Like You Imagined is a short experimental animation film that explores two distinct dystopian futures through the lens of our internet and pop culture imaginarium. It assembles an extensive collection of visual tropes and clichés to depict a grim vision ruled by totalitarian systems of control, coercion and oppression. From brutal autocratic dictatorships to decaying cyberpunk megacities, familiar imagery warns of a self-fulfilling prophecy that may be upon us. The future... is just like you imagined is a part of the multi-year project SND (Spoznavanje narave in družbe, or Studies of Nature and Society) by visual artist Sara Bezovšek in which she reappropriates internet and pop culture references using a dense visual language in order to construct narratives that are both a critique and a celebration of the highly saturated online media landscapes we navigate daily.