Populär Vun Timor-Leste
The Lush Life 2000
How we were looking for Lailonia 2011
How we were looking for Lailonii. Film is a part of the series "14 tales from the Lajlonia Leszek Kołakowski Kingdom".
O wielkim wstydzie 1998
Rio, a young fisherman, lives in the kingdom of Lailonia. He is in love with Muria, who he considers the most beautiful girl in the world. When he is called up to the army, he does not forget Muria even for a second, despite being exhausted and facing numerous obstacles. Film from the ‘Fourteen Tales from Lailonia Kingdom by Leszek Kołakowski’ series.
The Hat 2007
A man's frustration is shown as he tries to put on a winter hat.
Nebula 2019
An exquisitely intricate work walking the tightrope between film as a record of reality and an abstracted visualisation of sound.
Udomowienie 2015
Tamara's Tapestry World 1975
This is a short film created for the CBC documenting the works and achievements of Tamara Jaworska, Tad Jaworsk’s wife. Tamara is a world renown tapestry artist , an international Golden Medalist with many international awards and accolades who in 1994 received the Order of Canada. In this film she muses about the way in which the Canadian landscape influences her work, what goes in to creating a tapestry and the way she works on her loom in her Toronto Willowdale studio.
Mezo lithos 1970
I choose 1970
Globe Trot 1970
Obszar 1973
From 'The Workshop of the Film Form'.
Working Women 1981
The various phases of work in a spinning-mill, and the harsh working conditions of the women spinners, cause them physical pain and breathing diseases, not compensated by low wages.
Not the Brooklyn Bridge 1970
Polish Student Movie about a bridge which is not what it seems.
Analysis of Emotions and Vexations 2015
“This movie is a representation of my spirit’s volatile state. I used animation with poetic comment to analyze my emotions and vexations. I used pencil drawings in translucent frames to show a state of lightness. On the drawings you can see the elements taken from imagination and from real external sights. I did so because our mental states are built from what we can see and what we remember or imagine in abstraction.”—Wojciech Bakowski










