Populär Vun Uzbekistan

An agent of the Uzbek special services, Timur Saliev, is conducting an operation to seize the Scorpion terrorist group when he learns that his brother, whom he considered dead, is alive and belongs to this very organization.

Yelena is an activist fighting for the rights of cotton pickers. Mukhabbat is a farmer struggling with the hardships of rural life... COTTON 100% is a story of two strong women facing the challenges of a society where forced labor is a norm.

A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.

The Aral “Sea” powerfully reveals the deadly impact of human activities—in this case, the intensive cultivation of cotton in the USSR—on an ecosystem. Daniel Asadi Faezi (The Absence of Apricots, VdR 2018) and Mila Zhluktenko (Find Fix Finish, VdR 2017) film the shore’s last inhabitants, who have lost their way of life to the desertification of their environment. A beautiful and poignant work about our probable future.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

Pokser TV short-film

The film tells the story of an elderly couple living a peaceful life in a village, with their eldest son living nearby and their youngest son working abroad. It depicts the struggle and conflict between two generations.

1989. The former Captain of the Soviet Army Saidulla lives alone in a small house. His son lives in the same village but he does not associate with his father and does not permit the grandson to have contact with his grandfather. He often has a vision: he is visited by an old army friend. He looks exactly the same as he saw him alive for the last time – in the uniform and with an automat-ic gun. Once during a medical check-up Saidulla learns that he has cancer. He does not have much time left but he has to solve the most important problems: provide water-supply for the school, make it up with his son and pay a visit to his former colleague.

Farmon Bibi is a kind but very strict mother who lives in the same house with her seven sons and their families. The youngest son’s wife, Nigora, starts a “rebellion” against Farmon Bibi, and the other daughters-in-law support her. In the end, Farmon Bibi is forced to give in and meet their demands.

One of the most pressing issues of our day - the fight against drugs based disorders and logical solution. Uzbek film between the peoples of the world is a global problem, a broader and deeper look sharp sense of his goals in front of him

Two barbarians in the desert find a stranded white woman and regard her as their property. A strange and exotic parable that presents a tragic three-cornered relationship in a politically incorrect and ironic way.

Iskander, a gentle Uzbek man, is convinced by a Russian friend to give an impromptu speech praising the Communist Revolution. Impressed by his eloquence, the Soviets make Iskander a spokesman - a precarious position in a turbulent time.

A story about two brothers - Bakhrom and Umid. Older brother Bakhrom is ready to give his life for his younger brother. After the death of his parents, caring for his younger brother fell on his shoulders. He cooks for him, wakes him up to the university and pays for his studies. You can only dream of such a caring brother. Bakhrom himself is not married, he lives with his younger brother in the same apartment. He is famous as the best auto mechanic, has his own auto repair shop. Umid dreams of introducing his older brother to his teacher, whose name is Nazira. She is beautiful and clever, and also young. Once he still manages to introduce Bakhrom and Nazora. For their short meeting Nazora manages to please Bakhrom. However, the whole idyll is spoiled by an acquaintance with a strange guy, whom Bakhrom helped to fix the car.

This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.

Tahir and Zuhra are a young married couple who, although they married out of love, decide to divorce due to minor family disputes. After receiving the court's divorce decree, they feel relieved and immediately go in different directions, looking forward to their new, free lives. But fate has an unexpected surprise in store for them: no matter where they sleep, every morning they wake up in a traditional wedding tent, a symbol of the first night, set up in an art museum. In desperation, they turn to a psychic to put an end to this mystery.

The film is about the life of a famous football player named Sardor Kamilov. All the journalists are interested in the whereabouts, and his fans thought that he was dead. A journalist searches for Sardor for an interview.

An agent of Uzbekistan’s Foreign Intelligence Service with the codename “Baron,” who has spent five years undercover working for one of the most influential drug lords, Bassam, wants to finally leave the service and return to his family. However, without him, it’s impossible to prevent a series of planned terrorist attacks in Central Asia. Now Baron must infiltrate the militants’ ranks and complete his mission before his identity is exposed.

In Women’s Paradise, a college professor and writer is separated from his wife after committing adultery and discovers a women’s paradise where his lover, a female student, and his wife are living happily together. Could this truly be paradise or just the projection of a male fantasy?

A wealthy man hires two bodyguards, one a former paratrooper (Qodirov) and the other just released from prison (Soipov), to protect his two daughters, Gulnoza (Ashurboeva) and Dilnoza (Eshonqulova). Whilst at first the girls are reluctant to accept their fate, they soon realise how lucky they are to have the two young men in their lives…

An Uzbek singing reality competition television series broadcast on Zo'r TV.

In the cities of Central Asia and Russia, the indomitable Fatima barrages , committing one crime after another . The Prosecutor's office investigator Pyotr Yerozhin gets in her way , not yet knowing how this investigation will be closely intertwined with his own fate.

OVoz”. This musical show is the Uzbek adaptation of the vocal competition format “The Voice Kids”.

A young doctor, convicted of murder, joins forces with his friends from the orphanage to prove his innocence and expose a syndicate that is ensnaring innocent people.

The events take place in 1994. Mukha, a well-known person in the criminal world, gets stabbed in the next fight and falls into the river. Internal affairs officers join his gang in order to catch actor Zakir Boho, who is his look-alike.

Anvar and Afruza were engaged by their parents when they were young, and when they grew up, Afruza fell in love with another boy. Despite Afuza's resistance to Anvar's marriage, her parents forced her to marry Anvar. She overcomes many difficulties and falls in love with Anvar.