Populär Vun Uzbekistan

The elderly and successful former classmates, Muscovites Igor Breitman and Yevgeny Tikhomirov go to a remote Uzbek village for their ex-wife Shurochka’s funeral. They go, eat, drink, argue about shurochka, fight. but it turns out she’s alive.

On the assistance of the poor of the Uzbek village to the Red Army in the fight against the Basmachi (mid-1920s).

The main events of this film correspond to the autumn and winter months of 1952-1953. The heroes of the film are two fighters who serve at the highest levels of the State Security Ministry and become friends. "Churgoschin" was the nickname of one of them. This film talks about the situation in Uzbekistan on the eve of I.V. Stalin's death. One of the two warriors prefers death because he doesn't want harm to his brother.

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Rustam is a handsome and rich young man. In the afternoon he leads his company, and at night he goes to clubs and parties, where he always gets a good drink and a lot of girls. He likes this way of life until he meets Sogdiana, an attractive dancer who was adopted as a child by a former prisoner. Sogdiana loves her stepfather and says that she will never leave him. Between Rustam and Sogdiana, passion flares up, and they decide to marry. But this does not interfere with the family of a rich guy, and the stepfather of Sogdiana is an alcoholic with disabilities. Rustam's desire to be so strong with Sogdiana that he decides to kill, stepfather Sogdiana

Ishaq Khan Tora Junaydullo wanted to see the people of Ibrat educated and spiritual in the works of his son.

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Javohir, Khurshid, Baxtiyor, and Hamdam return as fathers, facing new challenges in raising their children.

The film is devoted to Azimjon Askarov, an ethnic Uzbek, artist and Kyrgyz human rights defender, who had investigated and documented crimes of Kyrgyz law enforcement agencies. In 2010 during interethnic conflicts in the South of Kyrgyzstan (the city of Osh), Askarov was arrested and sentenced to life in prison. In 2020 Askarov died in prison under unclear circumstances. Askarov’s family and friends are trying to restore justice to him.

An imaginative account of an elderly artist's temporary creative crisis.

Her Right is based on original feature films filmed in Uzbekistan from the 1920s to the 1980s and focuses on hujum, a government campaign against the wearing of the burqa in order to emancipate Muslim women.

The film is based on real stories of children who have experienced violence in Uzbekistan. At its core are three destinies, three forms of abuse, and one common factor—the silence of adults. It is this very silence that turns them into accomplices.

What is Maryam willing to do to please her family?