Joer 2000 - 401

An interview to the Venezuelan writer José León Tapia.

A SF fairy tale put together in a form of video game. The protagonist travel trough levels. Each level is a symbol which contains cosmic powers entities to which characters are confronted with. They are imperfect creators of imperfect system who make numerous mistakes.

a short film by Fumie Kamioka

The late Marvin Lewis of Nederland, Colorado had a love for Howard Hughes giant flying boat aircraft the 'Spruce Goose" He started building a twelve foot model in his restaurant. Eventually he retired to Nebraska with model unfinished. He passed away. The Boulder, CO Aeromodelling Club brought the model back and over a year's work, finished it in order to attempt a one day flight

Explores the uncertainty of relationships with strangers.

Goofy takes time out from being a participant in sport to join the fans in the bleachers.

This documentary tells the life of Don Sixto Palavecino, an old peasant musician, patriarch of native music, who from an arid area of Northwest Argentina in Santiago del Estero, arrives to the city with his "sachero" (mountain) violin, with the goal of reaching the radio and from there spreading his natural language, Quichua, which has been kept alive among the local people for more than four hundred years.

In 1993, the U.S. Public Health/Indian Health Service reported that 40% of all persons, 40 years and older, residing on American Indian reservations are diabetic. This video visits the Winnebago Indian Reservation in Nebraska, the Rosebud Sioux Tribe and the Porcupine Lakota community in South Dakota, to present community solutions to this health crisis. Featured: Lorelei DeCora, a Winnebago public health nurse presenting one of the most intelligent arguments for a culturally-based approach to the treatment and prevention of diabetes among Native Americans.

A floating bed and a woman carefully - and gently - holding a mouse close to her body. Gazing into the void, she is carried by a train of (sub)consciousness. Chimes and (human and animal) voices punctuate this windy, grassy journey. Like in a possible (sleep) paralysis, the terrain of the real and otherworldly are in permanent tension. She fails to close her eyes.

Mirror on the wall, camera on the ceiling: fast tracked images of waves of an influx of movement inside a women’s bathroom. Entering, waiting, using, leaving: this is a surveillance-style depiction of the transitory life in a non-place filled with possibilities.

A documentary about Crimea's history and beautiful sceneries.

Documentary about the construction of an autonomous education system that promotes the use of native languages, the dignified treatment of Indigenous children, and the recovery of their communities' customs. This video provides an insight into the current status of this process for Indigenous communities in resistance.

The history of the exploitation of the Earth dates back to its original inhabitants by the farmers and landowners of Chiapas, the millennia-old organization of these peoples against oppression, and their struggle to recover their rights and the land that was violently taken from them.

Farewell to Mekhov is a documentary ethnographic film shot in 2000 in the Pskov and Vitebsk regions. It focuses on the vanishing tradition of Russian village music, capturing the voices, songs, and spirit of rural communities whose cultural practices are fading away. Through field recordings, performances of folk songs, and candid interviews, the film offers a poignant farewell to a way of life rooted in music, memory, and communal identity. The film was created with the support of folklorists Irina Romodina and Alexander Romodin. Cinematography by Alexander Sokolkov (Moscow). Produced for the art channel ZDF (Berlin) with participation from Jochen Krausser and Ulrike Hunt (Bonn).

Herdsmen is an anthropological documentary that portrays the life of a Kazakh herding family in Burqin County, located in the Altay region of Xinjiang. Directed by Chen Jianjun and shot by Li Xiong, the film was co-produced by China Central Television (CCTV) and Xinjiang Grandscape Telecom and shot on 35mm. It has been permanently archived by the Museum of the Moving Image in the United States and awarded Special Commendation at the International Festival of Visual Anthropology; won Grand Prize at the Blackmaria International Film Festival, the Moondance International Film Festival, and the FICA International Environmental Film Festival; and won the Golden Olive Award at the Thessaloniki International Film Festival.

Using the acronym H.I.J.O.S., the members of this group reflect on identity, justice, forgetting, and silence. Slides of the group's actions and photos of the disappeared, excerpts from the production "A propósito de la dudas" (Apropos of Doubt) from the "Teatro x la identidad" (Theater for Identity) series, and images of escraches (scraches) overlap and intertwine with the testimonies.