Joer 2002 - 460

The inspiring true story of Kade Farlow Collins 14, FTM (female to male) transgendered, and living with an incredibly understanding family in Tucson Arizona.

Animation about a match's brave attempt to pursue his life.

What if you could hire someone to provide you a place and an opportunity to get revenge against your greatest enemy? Would you do it? Well, let the hunt begin! First, an angry boyfriend (Dean Paul) hunts down his ex-girlfriend (Debbie D) because not only has she dumped him, she's dumped him for another woman! Lisa Jackson (Dakotah) becomes the second victim when she's kidnapped and taken to a deserted island to be hunted down and killed by the ex-wife (Pamela Sutch) of the man with whom she's having an affair. But if Lisa can survive for 24 hours, she will be released unharmed. And what happens when the hunter becomes the prey? Will the ex-wife survive her ordeal or will she be riddled with arrows? Find out in this action packed thriller!

A low budget dramatization of 1972 Munich Olympics hostage crisis combining appropriated footage and re-enactments.

The legendary Saga, filmed live in Bonn, Germany 2002, to commemerate their 25th Anniversary. Sixteen tracks from their only European date in 2002. Bonus features include a Saga discography, photo gallery, the making of, Saga gear and S.1 Audio.

The Disobbedienti emerged from the Tute Bianche during the demonstrations against the G8 summit in Genoa in July 2001. The “Tute Bianche” were the white-clad Italian activists who used their bodies – protected by foam rubber, tires, helmets, gas masks, and homemade shields – in direct acts and demonstrations as weapons of civil disobedience. The Tute Bianche first appeared in Italy in 1994 in the midst of a social setting in which the “mass laborer,” who had played a central role in the 1970s in production and in labor struggles, was gradually replaced in the transition to precarious post-Fordist means of production. “Disobbedienti” thematizes the Disobbedienti’s origins, political bases, and forms of direct action on the basis of conversations with seven members of the movement.

80000 Shots is a German film directed by Manfred Walther. It was released in 2002 and had its premiere at the Berlin International Film Festival. In breathtaking speed, 80000 SHOTS is a documentary about the reconstruction of Berlin's Potsdamer Platz. This 53 minutes' film, shot in timelapse between 1990 - 2000 had its première at the Berlin International Film Festival 2002.

In Japan, a million young men have shut the door on real life. Almost one man in ten in his late teens and early twenties is refusing to leave his home – many do not leave their bedrooms for years on end.

James Clayden's Ghost Paintings series, produced over the past 17 years, represents a bold and unique synthesis of film and video art. Carefully layered textures, colours and sounds become a sort of visual poetry that defies rational analysis, but that nevertheless invokes thought in the viewer.

A group of four friends head off into the woods on a project for their church. There, they come across crazy old fella who tells them about a group of youngsters that were murdered a while earlier. The killer was never captured, so before long he comes back to wreck havoc on anyone that he comes into contact with.

"This is a rarely seen cameraless film, made using the pinhole technique by applying light directly on the unexposed emulsion. Cote explores celluloid with color filters and different intensities of light as if expressing his most intimate and vital self. The flashes of luminosity seem to be signals of connection, maybe hope, inside one’s inner darkness." - Mónica Savirón, Museum of the Moving Image

A young American woman travels to Bosnia to contemplate life there after a period of war. The camera is her being, moving quietly in and out of apartments and mosques in Sarajevo, across cultures, between the real and the imaginary.

Live at the London Forum

A film by Anri Sala

Wild Blue Yonder fuses animated drawings and text with video footage of Weiner's friends, colleagues, and family. Weiner recontextualizes the everyday, leveling gestures, conversations, actions and interactions into a system of codes that blur the boundaries between what is choreographed and what is improvised. Weiner's visual grammar (arrows, horizons, frames) suggests motion and borders; the relationships of the animations, aphoristic text, and conversations activate questions of intimacy within the conventions of physical and personal space.

A documentary spanning from the Korean Wars to the present. (MUBI)

stairs is an unedited mute digital video sequence screened on a monitor and viewed through a peephole, which is positioned lower than standard eye level in an existing door in the exhibition room.