Joer 2002 - 472

We have come to the conclusion at BDF that it helps to have beauty on both sides of the camera, so we gave the boys of BDF the cameras and the directing reigns. Its "Have Fun Boys" see you later, and boy did they go nuts When those boys started pulling out their big dicks and turned the cameras on each other the results were amazing. Just think of stripping and being filmed by a big dicked boystud and you'll understand the excitement. Justin Slater made this wonderful documentary from the casting stages into a hot three-way with Donnie Ross, himself, and Tommy Young down to the wet shots and the towels. Steve Vanila directed an additional sequence with Donavin Fitch and him, filming him, fucking him at the same time. It's not easy to fuck and film to the same rhythm, try it. This is probably the most unique BigDikFactory video and we are very proud to share it with you. Enjoy!

Maleness and femaleness are not antonyms but indication of a fundamental human lack.

Set on the seabed, the spirit of young woman emerges from the sand and dreams of the life she might have had. The animation is projected on to sand and the dancers.

March 18, 2008 - UPDATE - New action on the Super Console Wars Front! New trailer coming soon followed by a slew of episodes!!!! I'm usually not one to post a trailer to something, but this is taking a while, so I thought I'd give you a taste of things to come. Just so you know, I'm not advocating one console over another. Rather this is more about game characters versus the hardware. Also the upload is the higher quality audio version, so it may take a little time to download.

The action of the film takes place in the post-war years, when a particularly dangerous gang of criminals "Black Mask" operated on the territory of Yakutia under the leadership of a former circus performer, strongman Ivan. Another strongman, senior police lieutenant Gavril Desyatkin, was ordered to neutralize the criminals. The film is based on the novel of the same name by the famous Yakut writer Egor Neimokhov and is based on real events that took place in Yakutia.

Hojas de Maíz was made at the request of Cincinnati composer and instrument-builder Anthony Luensman. The film was originally envisioned to be part of Tony's installation, Irato, in which each of his twenty-plus pieces, on exhibit in a civic art center, responded to viewers' pressing of a button. An exhibit of doorbells, imaginatively defined. One of Tony's stocks-in-trade is the use of discarded upright piano innards as electrified harps; my film contribution was to be projected amidst arrays of vibrating piano strings as art patrons took an elevator from the ground floor to a performing arts center. While this eventually proved infeasible due to ambient light conditions in the building, it did inspire the look and basic vocabulary of the film.

What about that? The sex is over and the here's the thing that's too absurd... An amazing sex parade!! If you look...

Et si on parlait d'amour... portrays people who talk freely about their sexuality. Residing in Poix de Picardie, a village in the Somme, Bernard, a retired teacher, and his wife Violette, a nurse's aide, form a popular couple in the region who do not hesitate to practice swinging and to organize evenings known as "hot". Cathy, a single journalist from Lyon, collects short-lived relationships while dreaming of a family life. Julien, a salesman in a start-up company, and his wife Sophie, a housewife, confess their infidelity to each other. Daniel and Karine are residents of a home run by the Association des Paralysés de France, which does not prevent them from having a sex life comparable to that of normal couples.

The starting point was a commonplace: «My life could be a movie». Following what each person believed to be subject for film, this documentary tells 4 life stories. This implies a main question: what moves the protagonists to show & tell their lives as a movie? Revisiting places where they lived, they evoke their memories, and through their personal documents and archive footage, we retrace their paths and decisions in life. As their destinies have crossed at several moments, places and circumstances, we are able to understand it from different, and contrasting, perspectives. They testify post-war famine, emigration to Africa or France, Salazar’s dictatorship, colonial war and the socialist revolution – in brief, the way Portuguese society evolved in the second half of the century. ILLUSIAD is a film about common people’s hopes, disillusions and survival skills.

Short film by Valérie Pavia.

A young woman tries a new drug and goes on a bad trip.

Nothing particularly special appears to happen in Tomatoheads: a regular couple doing regular things. But something becomes increasingly strange in the way they are behaving, something that the spectator cannot read clearly. The world seems to be turning upside down.

So Solid Crew are the most exciting act to emerge onto the British music scene for decades. Portrayed as a threat to the nation’s youth by much of the media and many of those in authority, the group are effectively banned from playing live anywhere in the UK. This Is So Solid is all you need to bring you up to speed with the phenomenon that is So Solid Crew at the end of 2002. Containing the promo videos to all their singles, David Upshal’s revealing documentary 'This Is So Solid' and exclusive footage from a fan club only live show where the crew unveil brand new tracks, this DVD gives a unique insight into the crew’s music, personalities and performance.

Documentary approach to a central protective deity of the Maya Tz'utuhil in Santiago Atitlán, Guatemala. As the smoking and drinking Nawal moves into his new abode, members of the Cofradia Santa Cruz comment on the Rilaj Mam's social and magical functions.

Puppet animation to the sound of a bottleneck guitar: Tricky image processing from Kinoki Lumal's training workshop.

Stunning panoramic shots of natural landscapes are cut through by swathes of traffic. People appear like little dots in the depths and at the periphery. Only gradually do we realise that they are fleeing. Great dramas grow out of this micro world, the colossal landscape becomes increasingly merciless and begins to resemble an infinite space of fear.