Nothing particularly special appears to happen in Tomatoheads: a regular couple doing regular things. But something becomes increasingly strange in the way they are behaving, something that the spectator cannot read clearly. The world seems to be turning upside down.
So Solid Crew are the most exciting act to emerge onto the British music scene for decades. Portrayed as a threat to the nation’s youth by much of the media and many of those in authority, the group are effectively banned from playing live anywhere in the UK. This Is So Solid is all you need to bring you up to speed with the phenomenon that is So Solid Crew at the end of 2002. Containing the promo videos to all their singles, David Upshal’s revealing documentary 'This Is So Solid' and exclusive footage from a fan club only live show where the crew unveil brand new tracks, this DVD gives a unique insight into the crew’s music, personalities and performance.
Documentary approach to a central protective deity of the Maya Tz'utuhil in Santiago Atitlán, Guatemala. As the smoking and drinking Nawal moves into his new abode, members of the Cofradia Santa Cruz comment on the Rilaj Mam's social and magical functions.
Puppet animation to the sound of a bottleneck guitar: Tricky image processing from Kinoki Lumal's training workshop.
Stunning panoramic shots of natural landscapes are cut through by swathes of traffic. People appear like little dots in the depths and at the periphery. Only gradually do we realise that they are fleeing. Great dramas grow out of this micro world, the colossal landscape becomes increasingly merciless and begins to resemble an infinite space of fear.
Shortly after the second Intifada began in the fall of 2000, filmmaker Michal Aviad turned the camera on herself to document the anxieties and fears of living and raising a family in Israel.
In film and related audiovisual forms according to Michel Chion the relationship between sound and image is primarily vertical, and the former tends to play a secondary role. This same applies, though inversely, to music videos, in which the musical structure sets the rhythm of the editing and all motion in general, regardless of the freedom of the images themselves. blinq questions such audio-visual relationships in a radical way. Billy Roisz had 10 musicians from Austria, Germany and Japan produce short electronic sound files. These fragments, some lasting only a few seconds, were then transformed into visual patterns by means of feedback loops which function as electro-acoustic impulses and then further manipulated.
This is a seven-day excerpt of a year-long project in which I recorded my daily sweeping after breakfast. I think of this piece as a collaboration across time with Maya Deren and her film, Study in Choreography for Camera from 1945.
This spontaneously-shot surprising documentary looks across the South to see the connections between the folk heritage traditions of communal cooking in gigantic black iron pots stirred with wooden paddles maintained into the 21st century by culinary folk artisans called “stewmasters” with their stew crews. With wit and humor, Southern Stews carries us from Kentucky and Virginia into Georgia and South Carolina to discover ancestral stews that honor an agrarian past and contain the blended history of our European, African, Native American, and frontier settler roots in one-pot meals.
A cine-essay that follows the feather from the goose's body to the people's pillow.
A film about friends you thought you knew and the lover you will never forget. Three gay men, estranged friends trying to overcome their differences, meet accidentally on the anniversary of Eddie's death, a lover of all three.
The third part of Cokes's Shrink! trilogy in which he "shrinks" criticism.
The Projectionist is an aural and visual narrative. Inspired by Rachmaninov's composition 'The Isle of the Dead' it threads together a story about an old cinema projectionist and an elaborate series of huge projected images which represent his memories. He is a 21st century Everyman, whose complex mind is burdened with too many overlapping memories. His individual suffering resonates, ironically because it is invisible to everyone but himself. The ghostly visions which appear in The Projectionist reflect his personal history and private pain.
Biglang liko: Directed by Joven Tan. With Halina Perez, Barbara Milano, Simon Ibarra, Stella L.
Gising na si Adan: Directed by Felix E. Dalay. With Gary Estrada, Aya Medel, Via Veloso, Allona Amor.
Huwag mong takasan ang batas: Directed by Karlo Montero. With Rommel Padilla, Ynez Veneracion, Jorge Estregan, Sarah Gomez.
