three sparks is an intimate picture of village life in Albania, crafted in gratitude by a guest. Mexican/American artist Naomi Uman lived and documented life in rural Ukraine. Inspired by having seen her experimental non-fiction films portraying village life, she was invited to create a portrait of life in rural Albania. This took her to Rabdisht, a village perched high in the mountains, where people farm the rocky, vertiginous land.
Village women from Kosova share their life stories and abandoned dreams. Behind thick walls, silence and years of longing for school, the voices of these mothers, grandmothers and workers weave an intimate portrait of overlooked realities.
Aleksandra is in constant conflict with society's norms and her own self. Every day, she rethinks how she ought to act in the modern world and what sort of impression she makes. I AM NOT JUST A… is an honest portrait of our reality.
Theoretician Apostol Sacco writes articles and gives lectures on free love of youth at a time when a major conflict going on in his family.Conflict resolved through sitcom.
A documentary that deals with a topic related to the integration of Albanians in Switzerland, where the main protagonist is the world-famous Albanian-Swiss singer Elina Duni.
Is it possible to grasp the meaning of the future by accepting only the present and leaving the past behind? A delicate medley of these notions, regarding the historical and cultural background of Albania. Does the youth dare to be disturbed?
The story of Viktor Stratoberdha (1921-1991) mirrors many of Albania’s tragedies. Stradoberdha’s humorous, buoyant style led him to be one of the country’s most promising filmmakers. But after being denounced in 1956, he was expelled from the Kinostudio and sent into internal exile. In 1967, Stratoberdha directed a local theater play in which the economic five year plan was placed in a coffin. He was then jailed for the next two decades. Urime Shokë Studentë! is one of the surviving documentaries of Viktor Stratoberdha’s all too short career.
War film written and directed by Rikard Ljarja.
Bufi starts painting his wife from the feet up, and this painting takes him a lot of time. He searches for beautiful places to paint his wife. Something terrible happens, and Bufi is unable to finish her portrait. In the end, we see that the portrait of the wife has closed eyes; Bufi's wife was dead during the time he was painting. He places his wife's corpse on a boat and lets it drift freely.
The documentary shows the tour of performances throughout Albania by the national folk song and dance ensemble.
Rrahman Fetahu and his two brothers in arms survive during the Yugoslavia war between Serbia and Kosovo.
Dielli serves community service at a library while his father battles alcohol addiction. After a car accident, they make a promise to change. But when his father relapses, their relationship crumbles, testing Dielli's dreams and loyalty. This poignant drama explores addiction, forgiveness, and the power of love, revealing the strength and fragility of family bonds. Will they rebuild or drift apart? A heartfelt film of second chances, resilience, and hope in the face of adversity.
A normal day in Psychiatric Hospital in Shtime. Images that cannot be seen elsewhere, wrong prejudices, a lot of words by the patients, but still there is a huge silence.
Ermira, Sara, Besiana and Iliriana are teenage girls who play soccer for the female soccer club in Kaçanik called Kaçanikasja (Kaçanik girl), the first ever female soccer club that has been recently founded in town, making the girls the first ever players of the club. What is their reality, what are their dreams, how long are those dreams going to last in a poor country where female soccer is not a priority?!
The sequel to The Love in the Damned Mountain (1997).
Bujar, a youngster, is manipulated by a kosher Imam in joining terrorist groups fighting in Syria. He secretly joins the war and then asks his older brother Agron to send Bujar’s wife Mimoa to Syria too.
Fran, a woman who has chosen to live as a man, following the tradition of Albanian “Burrnesha.” To become a mother to her orphaned niece, Fran must make a difficult decision between preserving her status as a “man” or relinquishing it to reconnect with the maternal feelings she has long suppressed. When the time comes to move forward, her niece’s choice forces Fran to confront her deepest fears: to keep the child close or to give the young girl wings to fly.
During WW2 partisans try to hide from their enemies, while old villagers mourn the deceased of the war.
If my daughter did not keep the honour of the family, this bullet gives the right to her husband to take her life, the first night of the wedding!
