Raktažodis Media

Režisieriaus Andrew Dominiko kriminalinė drama – tai vaizdingas ir jausmingas pasakojimas apie garsiausią XIX amžiaus banditą Džesį Džeimsą, kuris, slėpdamas savo tikrąjį vardą po pseudonimais, apiplėšinėdavo turtuolius, o pinigus atiduodavo vargšams. Ši teatrališka kino juosta tiesiog užburia ir nugabena į neatmenamus laikus. Džesis Džeimsas (Bradas Pittas), turėdamas tik 34-rius metus, tampa vienu iš geriausių tarp nusikaltėlių. Kartu su vyresniuoju broliu Franku (Sam Shepard) Džesis yra garsiausios Amerikos gangsterių gaujos vadas. Jų sąskaitoje - didžiausi bankų, traukinių ir pašto apiplėšimai.

San Francisko policijos inspektoriaus “Purvinojo Hario” Kalahano sėkmingas darbas jam garantavo žvaigždės statusą. Situacija komplikuojasi, kai kažkas pradeda žudyti žvaigždes. Jei Purvinasis Haris nesuras serijinio žudiko prieš kitą jo smūgį, kita auka taps jis pats.

Suvešėjęs terorizmas priverčia pasaulio lyderius imtis rimtų atsakomųjų priemonių. Įvairių šalių vadovai susirenka istoriniame Salamankos mieste, Ispanijoje, pasirašyti JAV prezidento (akt. William Hurt) inicijuotą tarptautinę antiteroristinę sutartį. Visas pasaulis, užgniaužęs kvapą laukia viršūnių susitikimo. Tačiau pasaulio vadovus stebi ne vien taikos ir ramybės ištroškusiųjų akys. Ir jie čia atėjo tikrai ne tam, kad pagerbtų valstybių vadovus ir pasidžiaugtų pasaulio vienybe taikos vardan. Ne visiems parankūs išblėsę karo židiniai, ne visi gali susitaikyti su tuo, jog terorizmas pralaimi. Jie padarytų bet ką, kad tik tęstųsi konfliktai karštosiose pasaulio zonose. Jie nesibodi jokiomis priemonėmis ir nebijo jokių aukų. Tačiau blogiausia tai, jog jie slepiasi tarp mūsų...

Pasaulis matė visko, bet kad Švarcnegerį rytais pykintų, kad jo nuotaika kaitaliotųsi kaip orai, kad jis taptų sentimentalus ir kad jį piltų karštis... Taigi jis - nėščias! Jis ketina tapti pirmuoju pasaulyje vyru, pagimdžiusiu kūdikį.

The murder of a young boy in a small coastal town brings a media frenzy, which threatens to tear the community apart.

Joined by contributors, and with a different guest each week, Marie-Louise Arsenault hosts this magazine that highlights the week’s top stories, casting a critical eye on the national and international media and the images that surround us in journalism, advertising and social networks.

In this radically unconventional television series, Godard and Miéville analyze the political economy of personal and mass media communications in relation to society, culture, family and the individual. Their inquiry focuses "on and beneath" communications in a provocative critique of the power of media images in contemporary culture and everyday life. Each of the six programs is constructed of two complementary segments: A discursive visual essay on one aspect of the production and consumption of images is paired with a related interview on labor and leisure with an individual — an amateur filmmaker, a dairy farmer, the mathematician René Thom, Godard himself. These extended interviews provide a subjective counterpoint to the theoretical essays on work, economics and mass cultural imagery.

Stephen Fry and John Bird star as spin doctors Charles Prentiss and Martin McCabe as they bring the popular and satirical Radio 4 comedy Absolute Power to BBC Two. Stephen as Prentiss and John as McCabe are an unscrupulous pair who run the blue chip PR agency Prentiss McCabe. Dealing with commercial as well as personal PR, their remit covers everything from political communications to celebrity media relations. Their manipulation skills are tested to the full as they frequently find that their work brings them into conflict with political parties, newspaper editors and celebrities.

Media logic investigates the difference between image and reality. Media serve as a guide to get a grip on reality. But to what extent are they a reliable guide? How is public opinion formed? And what influence does this have on the actions of administrators, journalists and citizens?

Modern, imperfect publisher Evelyn Jones goes from lounge room blogger to becoming a force in women’s media.

On August 26, 2010, a girl named Sarah disappears in Avetrana. The town is in turmoil, especially her cousin Sabrina. It looks like an innocent escape, but it's not. While everyone searches for her, Sarah has simply vanished without a trace. In one of the best-known cases in Italian true crime, this is the disconcerting story of a disappearance, narrated through the eyes of the protagonists.

In 1998, pop star George Michael was arrested for a lewd act in a Los Angeles public toilet. This is the story of how his response to a potentially career-crushing event changed history.

Hot metal is a London Weekend Television sitcom about the British Newspaper industry broadcast between 1986 and 1988. The daily crucible, the dullest newspaper in Fleet Street, is suddenly taken over by media magnate Terence "Twiggy" Rathbone. Its editor Harry Stringer is 'promoted' to managing editor, and is replaced in his old job by Russell Spam. Spam then takes the paper shooting downmarket and turns the crucible into a sensation seeking scandal rag, very much in the style of the British tabloids of the 1980s. He is helped along by his ace gutter journalist, Greg Kettle, who intimidates his tabloid victims by claiming to be "a representative of Her Majesty's press" and produces stories such as accusing a vicar of being a werewolf. Throughout the first series, a running plot involved cub reporter Bill Tytla gradually uncovering an actual newsworthy story that went to the very heart of government. Written by David Renwick and Andrew Marshall, it is very much a continuation in style from their previous sitcom Whoops Apocalypse!. It was produced by Humphrey Barclay.

Parts of Norway's queer history are seen through the eyes and hearts of more than 50 famous Norwegians.

This series delivers startling new revelations about the 2005 trial of Michael Jackson - with exclusive footage and unheard audio tapes of Jackson, close insiders and the LA police.

Writer and poet Owen Sheers explores British art and literature inspired by the high seas.