Gustowska recorded the protagonists, three pairs of female twins, in different situations and in the course of the passing time. The camera registered the changes that gradually occurred in the young women, capturing the differences and similarities between the siblings.
Picture of a fight between two women in which the victim is a judge - a man. 'Re-discovered' film by Jadwiga Singer.
One of the structural films by Jadwiga Singer, showing relations between photo image, film record and reality. "Destruction" can also be interpreted as metaphor of Singer`s personal situation.
Using a felt-tip pen, Partum draws geometric figures on a TV screen which displays a news broadcast filled with propaganda delivered by the country’s counter-revolutionary party leaders. The artist lays bare the propaganda message of the media and their ideologisation.
Two siblings watched by their grandfather sit at the table and struggles to finish their soup. The children don't want to eat, they scoop the soup up reluctantly, looking for a possible way to break free from the table. When the door opens, and the bright light hits the room, the children run out and find themselves in a completely different reality.
Every traveler knows this feeling: moving landscape, rhythmical rumble of the train and a head full of thoughts. Time slows down encouraging an inner journey, as a lonely woman sinks deeper and deeper into her memories. She is traveling to her family: to an absent husband and her child whom she can't learn to miss. She's coming back but in her thoughts she's traveling again. Space-time turns, departures and returns mix into a confusing life journey. In the empty train drama slowly evolves.
A documentary presenting Radziszewski's meeting with Ryszard Kisiel, a personality behind the first East-Central European gay-zine, Filo and 're-discovered' by the director. The backdrop of the film is Kisiel's hitherto hidden archive, consisting of dozens of color slides, documenting photo shoots organized by Kisiel and his friends in a private apartment. The photos taken in 1985 and 1986 may be considered a direct reaction to the Polish anti-gay militia campaign ('Hiacynt'), during which the Secret Police collected information about homosexuals in Poland using them later for blackmail.
Circumstances trigger concoction of desire and guilt, when secrets from past overcast Daniel's existence. He travels through his nightmares to introspect his sexuality. Daniel's survival turns into a mirage, as he finds himself muddled between homosexuality and pedophilia.
