Change 1970
This is not the official description but This film appears to have been lost to time, with no one recalling its details, and its poster is seemingly absent from any archives.
This is not the official description but This film appears to have been lost to time, with no one recalling its details, and its poster is seemingly absent from any archives.
This film follows two women in rural Nepal, Bishnumaya Gurung, 48 and Palhamu Sherpa, 66. After struggling all their lives due to illiteracy, these women are now making their way back to primary school along with their grandchildren. The film explores what drives these women and what they hope to accomplish in the future.
As Sridhar prepares for his coming-of-age celebration, his grandfather tells him a shocking story about his family. As he pushes for the truth, his mother is caught in a dilemma between wanting to protect him and wanting to be honest.
Punte ko Pangro is a story about a child in the countryside of the Kathmandu valley. We follow Punte, a playful boy, who has a toy wheel of his own, but he will do anything to get a bigger one. In his pursuit, he discovers his aspiration and ultimately own potential. The wheel is used as a symbol of supremacy to portray human desire and our passionate struggle to reach higher positions in society.
old aged couple faces existential crisis and hopelessness.
This film is set in a traditional household in Nepal and documents a servant girl, Nani; a married woman, Sarita; and a mother-in-law, Ama. In interesting mixture of entrapment, duty and tradition unfold.
Explores two spirit possession rituals in Western Nepal. Focuses on two women, known as dhaminis, to examine the role spirit possession plays in the religious life of their communities.
Director Sahara Sharma took inspiration from a poem written by a man about women, and reworked it, giving women the agency they deserve. The film is about the rules that women have to abide by in Nepali patriarchal society, but Sahara doesn't have a single man in the film.
At school, they preach that all evil will return in the next life. But nobody looks when Bhyal's classmates blackmail him to make wheels for their toy bus. Bhyal, who lives with his mother on the outskirts of the village and works as an iron smith at night is an ‘Untouchable’. A cinematic examination of the caste system in a small mountain village in Nepal.
In her dreams, a devout woman is visited by her deceased husband, stranded in the liminal space between death and the afterlife. With her son, she embarks on a mystic errand to help him on his quest for salvation. Religion, spirituality, and the universal human condition are intricately woven in this tale about the agony of accepting loss, while navigating the dissonance between letting go and holding onto that which has passed.
A man and a woman meet in a village, singing and dancing and courting.
Two boys,One man and The Streets
After getting married to a stranger, a newly-wed woman feels uncomfortable in her new home. Instead of seeking comfort with her husband, she is attracted to her sister-in-law.
A GIRL, 26-together with a BOY, 33, who is a stranger to her-- take an injured man to a hospital when an accident take places near them one evening in Kathmandu. The girl, a failed poet, is lost and depressed. She doesn't respond to the boy's friendly gestures. She is returning to her village in the morning after years of struggle in the city. The boy, a tour guide from India, is on a trip to Kathmandu, and is also returning in the morning. They leave the hospital after the injured man's relatives arrive, and part. But they meet again unexpectedly when the girl has to leave her friend's place where she went to stay. With no place to stay, and only some hours left, they begin to wander around. And as they roam around the streets and alleys of the city, by the time morning comes, the girl realizes that she had become a different person.