One of the five-part documentary series by Belarusian writer and director Viktor Dashuk, which recounts the horrors experienced by the Belarusian people during World War II, through firsthand accounts of survivors and newsreel footage.
The young man Denis Dashkevich is the director of the rural House of Culture in the agricultural town of Pobolovo, Rogachev district. In an attempt to find new aspects of the work of the cultural center in the village, he plans to create a computer class for elderly people. But in reality, this idea faces many difficulties due to the psychology of the villagers and age.
Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.
Alexei Kuzmenkov is an ordinary Belarusian game developer working on an armored vehicle strategy game, but his boss tells him that his scenarios lack authenticity. Kuzmenkov volunteers for exempted active duty and joins a tank unit, determined to create a great war game. At first, Kuzmenkov is treated like a torturer, but he strives with a clear goal in mind and eventually grows with his comrades through adversity. As Kuzmenkov adjusts to life in the army, he continues to work on his original goal of developing a game, but will he be able to make it as authentic as he hopes?
This lively piece uses the traditional Belarusian vycinanka (papercut) style to illustrate eight well-known proverbs through humorous visual vignettes. To complement the folklore-based storytelling, it features music by ethno‑trio Troitsa.
Eight funny, fascinating stories in which the most popular hero of folk legends and legends, Nesterka, and his inseparable friends, the dog and the cat, find a way out of any situation. They turn ordinary clay pots into musical instruments, defeat the bloodthirsty Dragon who kidnapped Nesterka's bride, and find a solution to the Licho, who settled in their house...
Deeply religious Sima lives in the shadow of her parents' strict guidance but seems content with her choices. She turns down an unexpected offer to work as a model. On her nameday, Sima is overtaken by a vaguely familiar nightmare: she pulls her hand away from her mother's touch, as if from a flame, and when her father calls her "a pure angel of God," she storms away from the festive table. Rosary. Icon. Meat. A candle. Rosary. Hands. Not hers. Cross. Scream. Meat. Fire. But not here, just not here. This cannot be happening.
Radiation came and changed a lot. The last villagers live as in another reality, but it doesn’t seem to be as gloomy as it might appear.
Set in a small, typical Belarusian village – granny Sima’s only concern is for the future of her alcoholic son, Vanya. Accompanied by her best friend, a white goat called Manya, she starts a war with her neighbor, Glasha, who happens to be the village Vodka maker…
According to the plot, which is not inferior in intrigue to foreign analogues, honorary members of Chinchinchenel Sergey Nikolaevich and Nikolai Sergeevich arrive at the Lyad psychiatric hospital No. 1 to visit a mysterious patient, Elena Stomach. And nothing foreshadows anything unexpected, but further events will make even a sophisticated moviegoer raise an eyebrow in surprise.
Young girl is looking for the rare red agate which she believes will cure her grandfather.
Two men, a Finn and a Belarusian live alone, on a lake's island.
Slowed down, blown up and newly scored 1930's footage depicting daily life and religious rituals of villagers from Bryansk Polesia on the border between modern Russia and Belarus.
The action takes place during the Great Patriotic War in Belarus. The village in which the boy Kastus lived was located in the partisan zone. He soon made friends with the partisans, who became close people to him. The loss of his older friends was unexpected and difficult for Kastus...
About the love of a Belarusian peasant girl Pavlinka and a village teacher Yakim, about the obstacles that stood in their way, about how they fought against them and defended their happiness.
