Antoine has raised Sébastien, the son of a friend who was killed in a plane crash. Sébastien is doing his military service and Antoine would like him to marry Nathalie, the girl he grew up with. But Nathalie is in love with an American, and the day Sébastien has a leave, she leaves with her lover.
Talk show host Marc Morin is at a crossroads in his career and in his personal life. The ratings of his show are failing and he is losing touch with his family. In an effort to regain the love and respect of his audience, Marc’s agent decides to send him, against his will, on a humanitarian mission to Haiti. Nothing can prepare Marc for the journey on which he is about to embark.
Alain and Virginie are getting married today, but Alain is on the verge of a nervous breakdown. The impending reunion of his divorced parents has plunged him into deep anxiety, only made worse by the shady schemes of his cousin and best man Edouard, who seems determined to get him involved. The groom now has only one ambition: to survive the happiest day of his life.
Art and social uproar interweave in this film based on the ballet Les Bosquets of New York City Ballet, inspired by the 2005 French suburb riots. A continuation of JR's Portrait of a Generation, it recalls his experience in the ghetto of Montfermeil using various means of expression and narration: video archives, choreography, and testimony.
On a winter evening Billy Brakko buys a paper and reads: "The famous Billy Brakko is dead!" An early short film from Jean-Pierre Jeunet and Marc Caro.
"Glory Holes" are mostly found in the basements of sex shops, sex clubs, or what are commonly referred to as whore bars. The pleasure is blind, anonymous. He delights in this blindness. "She" is the engine of his fantasies, his fears, his uneasiness and her naive and vain generosity. "He" will be waiting for her every Wednesday. This short film is the first fiction film directed by Guillaume Foirest as part of his graduation thesis at ESRA Nice in 2005. The film was distributed by DVD Pocket and has made many festivals around the world .
Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...
Over forty and in a bit of a midlife crisis, Tunisian film director Raouf is prone to excessive drinking when not engaged in an argument with his French-born wife Lou (Marianne Basler). One respite to Raouf's dreary life is a recent film assignment -- to shoot an autobiographical film about his childhood. While working on the script, Raouf recalls his childhood home life under the strictures instituted by his devoutly religious father. The polar opposite of Raouf's father was his uncle Mansour, a jolly, life-loving soul who introduced Raouf to cinema through his work as a wandering film projectionist, which angered and shocked his father to no end but proved to be the most pivotal development in the youngster's life. Through cinema, Raouf found his place in this world and came-of-age -- something he may have to revisit in his adult life if he wishes to salvage his marriage.
While Olivier, a 39 year-old foreman gives his job everything he’s got, Laura, his wife and the mother of their two children, abandons the family home, leaving Olivier alone to face his responsibilities. Lost and completely thrown, Olivier is going to have to come to terms with his new status as a single father raising his children alone. Because Laura’s not coming back.
Two kids travel to a city where silence is kept sacred.
In her early twenties, Hiam Abbass left her native Palestinian village to follow her dream of becoming an actress in Europe, leaving behind her mother, grandmother, and seven sisters. Thirty years later, her filmmaker daughter Lina returns with her to the village and questions for the first time her mother’s bold choices, her chosen exile and the way the women in their family influenced both their lives.
For the first time in a documentary feature, the prestigious House of Dior opened its doors to show the wonders of perfume creation. Travelers at heart, Arthur de Kersauson and Clément Beauvais followed François Demachy for two years and over 14 countries, from Grasse to the other side of the world, in his search for inspiration and the most precious raw materials.
Biography of a star and figure study : This fascinating portrait is for anyone who wants to know more about the man behind the mask. By the end of the film, you will view this famous French icon in a totally different light. Delon speaks in a series of surprising interviews, spanning nearly 50 years.
Documentary on Oliver Stone's Wall Street.
Two pigeons living on the towers of Notre-Dame Cathedral are Parisian lovers. The Cathedral’s chimeras and gargoyles try to break them up, but they fly off to see the city and visit their old friend, M. La Tour, an anthropomorphized Eiffel Tower.
Upset by his friend's death, the film-maker, central character in this film, decides to get in touch with the hereafter by means of a camcorder. Thus begins an initiatory voyage that is both amusing and moving. The camcorder has the power to surprise people in their authenticity, to interfere in destinies, to give access to higher states of consciousness. Where does fiction begin and end?
Sophie Tatischeff's short film set in the small town of Sainte-Sévère-sur-Indre, three decades after its use in her father's film 'Jour de Fête'. The conversation from a typical village bar is transplanted to a patisserie with particularly tempting tartlets: 'No reason for us not to have another' says one habitué; 'no more for me thanks,' says another. 'A shortbread at this time of day?' asks the woman behind the counter.
