Somewhere, amid a tangle of borders, a refugee camp. People trapped in a situation that becomes more absurd every day, trying to live a human existence. We don't see their faces. We don't see the places they talk about. However, we are drawn very close to their intimate experience of the world as we follow, line by line, the maps they are drawing to represent the complexity of the spaces around them.
A MEMORY IN KHAKI is a cry out for that which is embattled inside the spirits of individuals who lived under the oppressive Syrian regime. The auteur's personal narrative is interwoven with those of other Syrian characters who were forced, because of their political beliefs, to leave the country before or after the revolution. The film sheds light on years of silence, fear and terror, and it dives into the stories, which were behind the eruption of Syria’s society and the start of its revolution. It is a Syrian account, which, by laying out the past, tells the story of the future.
After an interruption of thirty years. Christian Ghazi resumes his cinematographic work with the documentary "Coffin of the Memory". The film mixes newly shot interviews with archive images. In the interviews it sheds light on two basic issues, solitude and economic situation. Through images and simple daily situations, Christian Ghazi draws a portrait of the Lebanese society, a society drowning in its contradictions and its search for an empty individualism and the superficiality of daily consumption, that of production, ideas, time and space.
She loved mysteries so much that she became one, she used words to say nothing at all, and silence to explain everything, and she smiled her last smile, to so much that had been possible...
A parable on the Syrian present by mixing footage of the protests in Syria and a circus performance that involves a lion and goes awry with a nod to Fellini’s cinema.
Selma has just graduated from high school and contemplates her future. Ouaffae, her mother, wants to get a divorce. Both mother and daughter have important choices to make.
As a World Bank team visits an Egyptian village to investigate the transformation in agricultural management system, a TV presenter prepares a couple of episodes on the life of village women and a group of students visit a museum in Cairo with artificial figures that are supposed to resemble the life of Egyptian farmer.
'Ibn al-'Amm' shed light on the eighteen years Riyad al-Turk spent as a political prisoner under Hafez al-Assad, before his son Bashar al-Assad imprisoned him for two years at the beginning of his reign.
On the outskirts of the city, right by the water, lies an arterial road that leads to Beirut’s international airport. Most of the houses standing there are illegal constructions, quickly erected for a life alongside the road. Karam Ghossein, who also works as a cameraman for other video artists from Lebanon, combines pictures from a commissioned production he shot on the occasion of a friend’s wedding in 2004 with street impressions from the present day. Past events can’t be told apart from the observations of today: a kaleidoscope of stories that take place on this highway.
A young man is shunned by his friends after he starts an affair with a dancer.
The making of the play by Zeina Daccache featuring the mentally ill patients from the "Dar Es Salib" hospital.
Two stories expose the ways in which medicine, law and religion shape discourses of the gendered body: Martina’s, who lived in Colombia in the 19th century and was prosecuted for being a hermaphrodite, and Nour’s, who lived in Beirut during the Ottoman Empire and was forced to marry to her female lover’s brother.
Explores the daily life and work of children in Abnoud, a rural village located 600 kilometres to the south of Cairo, where the trains that carry the tourists to the south of Egypt pass through without stopping. A boy outsmarts the meagerness of his circumstances by dripping goat’s milk on a piece of stale bread and turning it into a special sandwich.
Four short films covering the Algerian War, directed by three filmmakers, each telling a different story: The Maquis, The Rebel, The Rifle, and The Notebook of a Maquisard.
Libyan documentary.
Directed by Bonvelli, based on the British play Charley's Aunt.
