Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by God Almighty. They have enough gallows humor and courage to believe in freedom and happiness.
Film follows a woman walking this very route. She stops, hesitates, runs. She waits, calculates and bends down. Every crossing is a new challenge and new calculation.
'J' tells the story of a man who lives an isolated life before encountering a woman that will open up, for a while, his controlled world. In 'J', time is at first an internal condition and, as the story unfolds, the effect of a mysterious mirror, where solitude is a condition of space itself and nearness and love are but a position of an impossible witness. Can space hold all the memories of a life without witnesses?
Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.
A comic tale of a group of boys and a pretty girl who try to make easy buck.
April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.
"Toni Kukoč - The Magical Seven" is about a young man from Split who, with his basketball knowledge, professionalism and unique style of play, won the basketball world in the late 1980s and 1990s. In those years, Toni Kukoč became Europe's most popular basketball player and was also officially voted the best player of the old continent four times. The journey from Split, from elementary school to winning an NBA ring and sharing the locker room with the greatest basketball player of all time, Michael Jordan, is a story about growing up, fellowship, and socializing with generations that only knew about winning during those years. He played and won Olympic medals for two countries, Yugoslavia and Croatia. Regardless of his incredible sports results, what sets Toni Kukoč apart is his behavior off the field, his modesty and his sincerity.
Two years after the Bosnian civil war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.
Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?
Story about Plavi orkestar (Blue Orchestra), a pop band from Sarajevo who were one of the biggest pop sensations in the 1980s Yugoslavia.
A Bosnian immigrant who fled to Toronto after the civil war returns to his homeland in search of a missing friend who has been implicated in war crimes, in this quietly chilling and finely surreal meditation on confronting traumas of the past. (TIFF)
An alcoholic Bosnian poet sends his wife and daughter away from Sarajevo so they can avoid the troubles there. However, he is soon descended upon by a pair of orphaned brothers. The brothers have escaped a massacre in their own village and have come to the Bosnian capital in search of a long lost Aunt. The poet befriends the boys and together they try to survive the horror of the siege of Sarajevo.
Merjem-Meri, an unambitious, 30-year-old homemaker and mother to 8-year-old girl Mila, moves back to her parental home after 10 years of marriage. Soon after, Meri realizes she is stuck in a circle of provincial rules and expectations and a complex relationship with her ambitious mother and spoiled younger brother. Her hope to get the custody of her daughter wanes from day to day because she has no chance of finding a permanent job. The only thing that makes her happy, but also makes everyone else look down on her, is participation in an audition for a film role in her neighborhood.
Adaptation of the highly popular children's novel by Branko Copic, who in this book resembles his school and college days in Bihac, Bosnia, in the years before WWII.
While her middle class, socialist family is falling apart around her, Berina, a young artist, tries to cope both with her awakening sexuality and her mother Jasna's imminent death. Her father cannot accept the fact that life is already happening without his wife. Her younger sister Luna cannot or does not want to grow up. For everybody's sake, Berina wants to save her mother's life and her family the only way she can - through art, and through magic.
At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
Asthmatic grandmother named Safa and her six-month baby granddaughter Jasmina, are transferred in a humanitarian convoy from the besieged Sarajevo to a peaceful small city at the Adriatic coast. By a combination of circumstances, their first neighbour is an alcoholic named Stipe. He is constantly causing troubles and making their lives complicated. During one of her asthma attacks, having no other choices, Safa rings Stipe's bell and hands him the baby. Stipe starts to temporarily take care about baby Jasmina. Safa dies at the hospital and now Stipe is left alone with the baby. He's clumsy, even funny. She becomes his only mission in life. He is not ready to give Jasmina away to anyone. He loved her as if his own granddaughter even daughter. Suddenly someone is at the door. Stipe recognises Jasmina's mother. In spite of all his internal struggles, he returns Jasmina to her mother. Stipe stays alone, again.
Faruk Sego, a failed Bosnian writer facing deportation from Austria, must prove that he has made a cultural contribution to Austrian society. His last chance is an off-theatre troupe that can stage a play he wrote as a young man. Faruk's reluctant return to the theatre will force him to realise what is truly important in life.
Amil Pasic has been working abroad for three years as a freelance photographer. For the first time after a year he comes back to Sarajevo to visit his father Mufid and finds out that a local criminal Bakir is extorting a monthly racket from Mufid which he categorically refuses to pay. Amil suggests to his father to contact the police to no avail. After his father suffers a heart attack Amil decides to take matters into his own hands.
