Polish Settlements in Brazilian Wilderness 1933
Propaganda film about Polish diaspora and their settlement in Paraná, Brazil.
Propaganda film about Polish diaspora and their settlement in Paraná, Brazil.
Produced by Social Communication Factory
Dark vision, moody colors and clouds of smoke everywhere – these are the most characteristic elements of the award-winning video clip for Syny. Written and directed by Sebastian Pańczyk, produced by studio Dobro and with visual effects created by Platige Image artists. Smoke plays important visual role for Syny – not only at concerts and live performances. Even the lyrics of “Nag Champa” are dedicated to the smoke generator, so it could not be missing in the video as well. Smoke is present almost in every frame of the film and creates mysterious, slightly unreal atmosphere.
Gustowska recorded the protagonists, three pairs of female twins, in different situations and in the course of the passing time. The camera registered the changes that gradually occurred in the young women, capturing the differences and similarities between the siblings.
“The End The End” shows an interest in the film-making process as a subject. The motif of closed composition is of a circular nature, in which the end signifies the return to the point of departure, and is frequently employed by the artist.
Picture of a fight between two women in which the victim is a judge - a man. 'Re-discovered' film by Jadwiga Singer.
One of Jadwiga Singer's analitical, conceptual films, showing how, using the simple tool of a 16 mm film camera, we are able to manipulate the conception of reality.
One of the structural films by Jadwiga Singer, showing relations between photo image, film record and reality. "Destruction" can also be interpreted as metaphor of Singer`s personal situation.
“Impressions” provides an image of conscious corporeality – an image that was rare in the art of Poland under Communism. The work is a joyful spontaneous story about female subjectivity, a film self-portrait of the artist.
“The Limits of Human Possibilities” is an example of on-camera performance, a sequence of poses reminiscent of asanas in yoga adapted by the artist, for which the outline of a mountain range is a kind of point of reference.
surrealistic short film
Reporter Egon Ryś accidentally meets Scarecrow. He decides to give him a ride to the scarecrow convention, seeing it as a good topic for an article. The chairman of the meeting, Beelzebub, states that no one is afraid of them anymore, so they should start helping people instead of scaring them. Most of the ghosts are delighted with this idea, but the nobleman Boruta is opposed. He decides to sabotage his colleagues' activities.