Popolari Minn Belarus

Based on the novel of the same name by Nikolai Cherginets. The film begins in the spring of 1941 and ends with the first months after the liberation of Belarus. In the center of the plot of the film – the story of three brothers Kuprevich. Police Lieutenant Alexei Kuprevich receives an appointment as an operative in one of the districts of Western Belarus. His task – to neutralize the rampant gang there "forest brothers". War begins. Alex and his brother, senior police Lieutenant Peter Kuprevich receive the first combat mission: to destroy the landed settlements under the German assault...

About the love of a Belarusian peasant girl Pavlinka and a village teacher Yakim, about the obstacles that stood in their way, about how they fought against them and defended their happiness.

Victor Asliuk's contrast of rural and urban life in Belarus examines the tangible differences between the young in the city and the elderly in the village and between modernity and tradition, interspersing modern images with archive material depicting the countryside as it used to be.

Two men, a Finn and a Belarusian live alone, on a lake's island.

This lively piece uses the traditional Belarusian vycinanka (papercut) style to illustrate eight well-known proverbs through humorous visual vignettes. To complement the folklore-based storytelling, it features music by ethno‑trio Troitsa.

The woodcarver Mikalai Vasilevich Tarasiuk, a folk craftsman of Belarus, lived in Pruzhanshchyna. Near his house is a unique museum "Memories of the Fatherland", which has no analogues in the country. The self-taught master carves figurines from wood, decorates them with vines and straw, and arranges them into scenes from peasant life and everyday life. Specialists call this kind of activity instinctive art. That is, his creativity was formed naturally and such is free from the sphere of any professional influence. Through the personality of the hero and his wooden people, the film provides an opportunity to join the ancient way of life of Belarusians, which is gradually disappearing.

It’s 2020 and Minsk, the capital city of Belarus, is overflowing with anti-government protests. A dreamy figure – Mara – takes us on a journey alongside the protesting crowds. Mara’s symbolic presence is a stark contrast to the harsh reality of the street. There is a determination to Mara, but also a fragility – as if her persona reflects the collective mental state of the protesters witnessing their dream for freedom turn into a nightmare.

Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.

Over 50 animators from 19 countries collaborated to support Belarusians in their peaceful protests for fair elections and freedom. The animators offered their interpretation of the recent events in Belarus, creating the animated chronicles of these dramatic events. The white-red-white flag is a historical symbol of Belarus and has become a symbol of peace, protest, and hope for the people of Belarus. The youngest animator who participated in the project is only 12 years old.

The events take place on the eve of the Great October Socialist Revolution. At the center of the film’s narrative is the судьба of a revolutionary grenadier regiment that played an important role in securing the victory of Soviet power in Belarus.

A group of archaeologists, led by future politician Zianon Pazniak, discover a mass grave in a forest near Minsk.

"A film of horrors" that takes place in the head of almost every inhabitant of Belarus - the last reserve of the socialist system.

Belarus, Vileika district of Minsk region. Lonely elderly people are leaving for winter to the home of seasonal residence. Each of them carries their own experience and beliefs, but they will have to stay the winter together. The days pass in sicknesses, conversations, watching TV... In mid-winter, there appears a new resident of the house, and the life inside changes.

Intrigues are growing in the research institute...

The young man Denis Dashkevich is the director of the rural House of Culture in the agricultural town of Pobolovo, Rogachev district. In an attempt to find new aspects of the work of the cultural center in the village, he plans to create a computer class for elderly people. But in reality, this idea faces many difficulties due to the psychology of the villagers and age.

The action takes place during the Great Patriotic War in Belarus. The village in which the boy Kastus lived was located in the partisan zone. He soon made friends with the partisans, who became close people to him. The loss of his older friends was unexpected and difficult for Kastus...

KGB officers present junior schoolchildren with a golden ticket granting a tour around the magical KGB building. There, kids are shown the supernatural working methods of the most important and patriotic agency in the country: non-contact fighting, blindfolded shooting, and telepathy. At the end of the excursion, the KGB employees give the most resilient students the opportunity to feel like real patriots and personally get a confession from the traitors to the country with the help of electric shocks.

Deeply religious Sima lives in the shadow of her parents' strict guidance but seems content with her choices. She turns down an unexpected offer to work as a model. On her nameday, Sima is overtaken by a vaguely familiar nightmare: she pulls her hand away from her mother's touch, as if from a flame, and when her father calls her "a pure angel of God," she storms away from the festive table. Rosary. Icon. Meat. A candle. Rosary. Hands. Not hers. Cross. Scream. Meat. Fire. But not here, just not here. This cannot be happening.