Popolari Minn Georgia

Famous mountaineers Simon and Alexandra Lomidze were tragically caught in an avalanche while climbing Tetnuldi. The avalanche swept Simon and his friend into the abyss, leaving Simon’s younger brother, Alyosha, deeply inspired by the diary entries of his deceased brother. Alyosha, who had never been particularly fond of mountaineering, was determined to conquer Tetnuldi in his brother’s memory. This inspired a series of expeditions to conquer other peaks, including Ushba, Shkheldi, and many more. The following mountaineers participated in these expeditions: M. Anuprikov, I. Arkin, G. Akhvlediani, G. Gulbani, G. Deberli, P. Khazarov, I. Lapshenikov, I. Nemsitsveridze, V. Mukhin, and G. Khutsishvili.

Priest Giorgi, a former Film Director, is sent to serve the small parish in the mountain village. To bring villagers closer to church he starts showing films there. After the screening of the first picture - "Some Like It Hot" - the audience imply that the local music teacher Lili looks exactly like Marilyn Monroe. After meeting Lili, Father Giorgi's balance between cleric and secular world starts to quiver - the woman is extremely sexy and the temptation is difficult to resist.

The change in Giorgi’s life could not be more radical. The city, art, his regular, middle-class existence and his marriage to Ana are all behind him. Now he is alone. Giorgi goes into isolation on a small barren island in a simple hut by the sea. In an inhospitable environment, surrounded only by a handful of strangers, between chicken farming and duck hunting, he is trying to pick up the pieces of his life. But his wounds are deep, and the shadows of his happy past repeatedly catch up with him.

An author - a passive young man - enters the Soviet-controlled bureaucracy of Georgia attempting to get his novel published only to be neglected and compartmentalized at every turn.

Otar Devidze, who is in exile, comes to Georgia to take over the inheritance left for his cousin through murder.

In the mountain village comes a group of young musicians in Tbilisi. Here they are going to relax and rehearse. Sad story about the final rupture occurred, the peasants do not sing beautiful old songs, the musicians play music incomprehensible to them ... Far from the idyllic image of rural life.

A young man, who loses his friend in a strange city goes to his funeral by train. The thoughts about his friend change like a scenery outside his window. The reality mixes with the unreal.

A clash of cultures unfolds when a young British photographer and her boyfriend make an expedition to the mountains of Georgia, uncovering ancient myths, questionable customs, and the struggles of her own relationship, finding that some boundaries are uncrossable.

10 women, seven of them belonging to the poorest population, are desperately trying to win a beauty contest for mothers who have more than 3 children. The winner will get an apartment and $25000

Tadeoz Toroshelidze is the most reknowned wine drinker in the whole area. Once he even won a drinking horn in a competition that has rested in his house ever since.

Dangerous criminals attempt to involve children in their crimes, but law enforcement officers manage to promptly put a stop to their activities.

Impoverished old nobleman Bekina insists on marrying a wife, but his son Platon does not want to have sharer in father's inheritance. Platon finds two times widowed and childless bride for Bekina, but a fate makes fun of him.

The late Georgian writer, filmmaker and university professor, Zaza Khalvashi, delivers a quirky yet genuine tale of mundanity in this posthumously produced feature. Drawing Lots is a vignette of a seaside community where an apartment block and courtyard serve as an amphitheatre for the mysterious power dynamics that play out in the residents’ intertwined lives.

The film tells about Davit Guramishvili's short period of activity during the rule of Vakhtang VI

On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.

The trial of political prisoners is taking place in the Kutaisi prison. They face hanging or life imprisonment. In order to release them from prison, a party figure, nicknamed "Chagara" and a revolutionary woman, "Vardo", aka Nato Nakashidze-Volfisa, come to the city. She rents a house near the prison, supposedly to open a knitting workshop. Will they be able to escape?

Princess Shirvanskaya is from Baku. She lives in Paris and wants to get back her father’s property who before the revolution owned big oil fields.

Georgia, 1864. The Tsarist regime is using Cossacks to forcibly resettle Muslim Georgians to Turkey in order to steal their land. Meanwhile a Muslim girl falls in love with a Christian from the next village.

This touching comedy follows a poor soldier who is mistaken for Jesus Christ in a poor village. The film tells the story of a quick-witted and resourceful soldier who uses this misidentification to outsmart rich merchants, the mayor, and finally Father Ambrose, the local priest, who is known for being a glutton and womaniser.