A wealthy landlord floods and destroys a village on purpose to prevent the people living there from making a profit off their crops. What he doesn't know is that his own daughter, Amal, is in love with Ahmed, a young man from the village.
Over three periods of her life, a grandmother keeps repeating to her grandson the same apparently trivial story.
The film revolves around the "Blue Whale Challenge" game used by many young people and adolescents, after the spread of technology and the parents are too busy to look after their children which might lead to their exposure to great risks.
After the death of their father, Galal, the Abu El Fadl family's peaceful life collapses. The eldest son, Tarek, finds himself responsible for everything, while Hegazy returns from Cairo to discover that dealing with his patients is much easier than dealing with his own family. Matters become further complicated with the appearance of the mysterious man, Samir Italia, who demands a large sum of money from the family. Between the father's debts and suspicious artifacts, the brothers' attempts at reconciliation turn into a series of disasters that only make matters worse.
Le Regard is Nour-Eddine Lakhmari's first film. It is a film about abuse of power, guilt, and redemption. In Le Regard, 70-year-old French photographer Albert Tueis finds himself confronted with his past. As he prepares for an exhibition that will bring together all the works from his photographic career, he remembers the photos he took at the age of 19. A soldier during Morocco's war of independence, the young Albert was a photographer for the French army. The photos he took at the time were never published. One thing is clear: without these photos, the retrospective of his career will not be complete. Albert Tuies decides to return to Morocco to find the negatives he buried there. But he finds himself confronted with a new Morocco. And as he encounters the present and the rivalries and difficulties it hides, increasingly powerful and brutal images from the past resurface.
A stuntman attempts to save his brother from deadly criminals.
Tensions rise in the house of Suleiman Al-Nagy, the defender of the weak, because his son's wife, Radwana, fell in love with his other son Khider. When Radwana's husband Bark finds out, he accuses his brother of betraying him and tries to kill him but Khider denies the accusation and escapes.
A documentary film by Davide Sacchetti.
It's autumn. A man and a woman are about to leave a restaurant situated in the heart of the Lebanese mountains. They are suprised by fighter planes screaming past at low altitude. In the distance, war seems to be breaking out once more. Losing sight of the woman, the man starts looking for her. He finds her on the other side of the mountain. Together they sink deeper into nature, which becomes increasingly spectral, just like the slender thread that ties them to each other.
The smuggler Sultan falls for the dancer Samara. As he gets her involved in his drug business, Samara becomes the one in control of the business. The police send an officer to infiltrate the gang and pose as an escaped convict to bring the gang down.
"Ismael" (Ismael Yassin) Wheelsy wants to marry "Fathia" (Shadia) and compete in it (Abdel Moneim Ismail), which is accepted by her father, but "Fathia" love "Ismail" and refuses to marry any other, which leads to her father To the house of her aunt to keep her away from "Ishmael" and avoid any problems that may affect the completion of her marriage (Abdel Moneim Ismail) and when he goes "Ismail" to search for "Fathia" exposed to a serious gang leader, "Jasser" very similar to him and wanted to be arrested, the question is what will happen On that.
"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.
The dervish Alish dies and is taken in a majestic procession to the cemetery. When he ascends to heaven to be judged, he discovers that the sum of his virtues equals the sum of his sins, so he's sent back to the living in order to test him and decide whether he should enter heaven or hell.
The film is set around the figure of Said (Ahmed Eid) who is struggling to complete his marriage to the girl to allow (May Kassab) and apply for an apartment within a conservation projects, but after obtaining the approval surprised by the events of the revolution on January 25, which prevents him from receiving, and begins suffering in attempt to rescue his sister and fulfillment to continue within the ranks of the rebels but surprised himself amid the rows ... Events follow each other with the descent of the army of the streets and to prosecute the former president and his two sons and the former regime, so that by allowing the marriage happy and having three children of different ideas between the liberal and the Islamic Brotherhood and the reference to the division of Egypt.
The play revolves around a comedy about a man and a woman who are preparing to hold their wedding ceremony in one of the banquet halls, but they are haunted, especially after their wedding takes place in a hall haunted by jinn.
Henry Barakat directed adaptation of Dumas' Count of Monte Cristo.
Mansour El-Hefny’s wealthy family rule an Upper Egyptian island. Some police officers facilite their arms dealing in exchange for information, and corrupt parliament members use their immunity to par-take in their drug trade.
The Upper Egyptian Khader Hassanein joins the Central Security Forces, he accidentally meets Metwally Al-Zanati on the train, who tells him that he must take the revenge of his father who was killed 20 years ago. Khader realizes that he is the person who Metwally is meant to kill.
In 2013, in Cairo, a tragic fate brings together several detainees from different political and social backgrounds inside a police truck, during the turmoil that followed the ousting of president Morsi.
