Rok 2002 - 486

Peter Addington-directed short film.

Photographs from: FAI (Arab Image Foundation) – Anouchian / Collection M. Yammine. and Joreige family, and La guerre du Liban (Images et chronologies), published by Dar Al-Massira, Beirut – 1978 The starting point of Replay (bis) is the idea of rupture in a time and place that are undefined. The story, which might have been a real experience or might have been a dream, is repeated in various forms. The images appear as reminiscences of the past, as well as attempts to reconstruct a narrative. These attempts make room for one final long shot: A view of Beirut today, at the time of the dusk prayer. It is as if this last image – inducing contemplation, had become my ultimate way of relating the story.

One evening two couples take up a parlour game. Suddenly, the game is transformed: who is manipulating it? Has someone, a presence, entered the house? Suspense and anxiety over a little “silly game”, in which colour is interwoven with black and white.

Private and public spaces are explored in this feminist investigation into Portugal’s past and present histories

Louise Alone Thompson Patterson, is very much an expository documentary, coupled with animation. It is also a film of discovery and centering of Black life. It is a non-fiction film, driven by a very external monologue, with the images largely created through digital animation.” —Louis Massiah

orange factory travels the back-roads of the Korean countryside at twilight. A haunted voice, reading from Ryu Murakami's Almost Transparent Blue, recalls experiences of pain and abandonment, while an unsettling music track underscores the themes of alienation and loss. Here Cho uses light to reflect on personal history and identity. With its somber tones of orange and blue, and voiceover that explores extreme physical states, orange factory traverses the terror and beauty of memory.

A vertical feature bisects the frame in each of the shots in this video. At moments it seems to be the edge of a wooden window frame; sometimes it looks more like an abstract painterly stripe; occasionally it splits, divides and almost disappears.

In 1955 archeologist Juan Leonard, went on an expedition to a remote region in the Mexican state of Chiapas, to film the Lacandon Indians.

In this vignette from the first Conversations Wit De Churen series, Nina's mother refuses to let Nina and Misha borrow her car. Linzy explores the precariously triangular nature of female friendship—as epitomized by the modern conference call.

What is reality? Who defines it? Evolving Minds offers a fresh and radical perspective on alternatives to the mental health system. Presenting clear information in a humorous style it covers diverse topics such as shamanism, nutrition, psychotherapy, meditation and protest against draconian mental health legislation.

nseparable barriers limit the vital space of human activities. Pedestrians emerge from static lines, isolated in the outline of their bodies, only to disappear once more when they encounter the next boundary. Underpinned by an electronic soundscape, Le silence est en marche questions spatial and social conditioning.

Mushroom Seekers is a first-person exploration of the world of wild mushrooms and the people who pick them.

"Summer Light" comes from my texture-driven, non-neurotypical way of finding delight and meaning. It's not verbal meaning, All I say in words is that it does, in fact, have meaning. In a way, it is my world.

Since 1997, a novel and powerful manifestation of workers' struggle has taken place in Argentina: roadblocks. In this way, unemployed workers demand from the state the right to decent work and income. Based on the principles of horizontality among workers, direct democracy, autonomy from the state and power, and comprehensive training among its members, one of the most important experiences of these years was that of the Solano Unemployed Workers' Movement in Quilmes, a city in the Buenos Aires metropolitan area. Work, training, the democratic debate of ideas, the sharing of life, as well as the struggle for work, dignity, and social change, are some of the contents of this report.

Directed by Raymond Salvatore Harmon