مشهور له Greenland

A loyal pack animal from a nomadic tribe has his courage tested, when taken down a challenging, unfamiliar path by his ailing human.

A cute little frog lands right in the middle of another frog family’s dinner. At first, the family is charmed by the adorable newcomer, but soon he begins to turn their lives upside-down. How can a frog so little be so badly behaved?

The corona year 2020 has been examined from all angles by the media. But what was it like to hold Ramadan in a year of restrictions, prohibitions and social distancing? Six young Muslims express their thoughts and feelings about a different kind of year when communal meals and prayer lines were replaced by a quarantine that pulls the individual relationship with God into focus. What can poetry and the quarantine of the heart teach us about a deeper meaning at a time when illness and fear are so predominant? And what kind of spirituality do we dare imagine in a society that moves further and further away from believing in God?

Authority, autonomy and one’s own complicity are elements in the transgressive situations that the artist Christian Falsnaes establishes in ‘Look at Me’, where he, in collaboration with the actress Minni Katrina Mertens, directs different groups of people at a night club, a gallery and an open-air festival. The boundary between subject and object – and between spectator and participant – is fleeting until you are finally invited on stage yourself. Throughout the entire proceedings, however, there is only one director. When Falsnaes and Mertens take turns to give both the others and each other instructions, it happens in an interplay where dominance and submission are the constants. ‘Look at Me’ embodies the kinds of soft and hard authority that we more or less consciously are subjected to everywhere in modern Western society, and it is made as both a documentary and a video work in its own right.

When Ida worked in the DIY supermarket, people kept asking where she was from. With her brown eyes and dark hair, she stood out from the rest of her family, where everyone is blonde – apart from her Iranian father. The only thing is: she has never met him, and until recently, the prospect of doing so has not kept her awake at night. But now, as a 28-year-old, Ida is starting to look for answers to all the unresolved questions about her father – and herself. A trip to Iran is the start of an inner journey, which takes her to unexpected places. She works her way closer and closer to her absent Iranian father with self-effacing humour and sincerity in a personal film about finding oneself.

In the summer of 2019, a group of youths from Syria, Turkey, England and Denmark meet up for a two-week theatre workshop in Antalya. Here, they are given the task of staging human rights in a collective performance. First, they must agree on how to interpret the rights, both artistically and politically – and then it suddenly makes a difference if you come from Syria or Denmark, even if you are not aware of it yourself. The director Camille Bildsøe observes with an attentive presence how empathy and tolerance come about during the process. And, not least, how both can make an active difference in the real world.

Alex Thelander has sent dick pics to random women and watched a lot of porn. Now he wants to put an end to the abuse - and say sorry to the women.

Ole Bims has invented a set of wings. Carrying a friend on his back, he flies away – all the way up to the sun, who hands him a bottle of brandy. But flying is not so easy when you’re drunk as a lord. (stumfilm.dk)